Catalogue Entry

William Collins likely inherited his father's blockmaking business in 1810, including a shop and the wharf at the head of Harbor Cove. Blockmaking, which included the making of various types of rigging fittings (blocks, deadeyes, belaying pins, cleats, etc.) called for skilled workmanship and use of special types of wood. Inventories and auction announcements for William Collins’ estate give long lists of tools, materials, and products from his business. (Ref. 1)

Maps of the harbor from 1835 identify the wharf as Collins property, one of them being labeled “Wm. Collins”, suggesting sole ownership by then. When William Collins died in 1845, the property remained in the hands of his family, as indicated in Walling’s map of Cape Ann (1851) and in the Commissioner’s Map of Gloucester Harbor (1865).

Collins’ death did not mean the end of his wharf’s use in his line of work. An announcement in "The Gloucester Telegraph" that year stated that Parker Burnham & Brothers would resume the blockmaking business on the wharf, along with sparmaking and carpentry. All those activities were associated not just with shipbuilding, but with vessel maintenance and repair. They possibly marked the beginning of a major change in the Burnhams’ business, which had focused on shipbuilding to this point, but was now shifting to vessel repairs, and would lead to their building Gloucester’s first marine railway half a decade later.(Ref. 3)

– Erik Ronnberg

References:
1. “Gloucester Telegraph”, April 2, 1845. Administrator’s Sale, April 9, 10 o’clock, Wm. P. Dolliver, Adm’r. Massachusetts Archives, Probate Records, Essex County, March 1845.
2. Henry F. Walling, “Map of the Towns of Gloucester and Rockport, Essex County, Massachusetts” (Philadelphia: A. Kollner, 1851). “Commissioners” Map of Gloucester Harbor, Massachusetts” (Commissioners on Harbors and Flats of the Commonwealth, October, 1865).
3. “Gloucester Telegraph”, May 7, 1845. “Removal”, Parker Burnham & Brothers, Gloucester, April 23, 1845.

In the 1850s, Captain Frederick G. Low owned fully one-third of the land comprising Duncan's point, including the lot purchased by Lane for his home and studio. Much of his property fronted the Inner Harbor, including two wharves in Harbor Cove and a third jutting southeast from the point toward Harbor Rock (see Walling & Hanson map below.)

Low's wharves are not conspicuous in any of Lane's depictions of Gloucester Harbor, which is ironic because many of his harbor scenes were sketched from Low's property. In The Fort and Ten Pound Island, Gloucester (Harbor Scene), 1848 (inv. 58), his wharf adjacent to the Collins estate wharf is obscured by a building on the Collins wharf and a  ship tied up to his own wharf. In Gloucester Harbor, 1852 (inv. 38), his wharf extending to Harbor Rock is concealed by the rocks off Fort Point with only a bark to mark the head of the wharf to which it is tied up.

Gloucester Harbor from Rocky Neck, 1844 (inv. 14), depicting the town from Rocky Neck, is the only painting which shows the shore line where Lowe's wharves were located (or to be located, given the early, 1844, date of this work). Lane's lithograph of 1846 (View of Gloucester, (From Rocky Neck), 1846 (inv. 57)) is similarly problematic, and his 1859 version () shows so many changes that the earlier wharves are no longer discernible.

– Erik Ronnberg

George H. Rogers was one of Gloucester's most enterprising citizens of the mid-nineteenth century. In the early 1830s, he ventured into the Surinam trade with great success, leading him to acquire a wharf at the foot of Sea Street. Due to Harbor Cove's shallow bottom at low tide, berthings at wharves had to be done at high tide, leaving the ships grounded at other times. Many deep-loaded vessels had to anchor outside Harbor cove and be partially off-loaded by "lighters" (shallow-draft vessels that could transfer cargo to the wharves) before final unloading at wharfside. To lessen this problem, Rogers had an unattached extension built out from his wharf into deeper water (see The Fort and Ten Pound Island, Gloucester (Harbor Scene), 1848 (inv. 58), right middle ground). The space between the old wharf and the extension may have been a way to evade harbor regulations limiting how far a pier head could extend into the harbor. Stricter rules were not long in coming after this happened!

About 1848, Rogers acquired land on the east end of Fort Point, first putting up a large three-story building adjacent to Fort Defiance, then a very large wharf jutting out into Harbor Cove. Lane's depictions of Harbor Cove and Fort Point show progress of this construction in 1848 (The Fort and Ten Pound Island, Gloucester (Harbor Scene), 1848 (inv. 58)), 1850 (Gloucester Inner Harbor, 1850 (inv. 240)), and c.1851 (Gloucester Harbor at Dusk, c.1852 (inv. 563)). A corner of the new wharf under construction can also be seen more closely in Ten Pound Island, Gloucester, 1850s (inv. 17) and Ten Pound Island in Gloucester Harbor, 1864 (inv. 104) (foregrounds). This new wharf provided better frontage for large ships to load and unload, as well as larger warehouses and lofts for storage of goods and vessel gear.

By 1860, Rogers was unloading his Surinam cargos at Boston, as ever-larger ships and barks were more easily berthed there. His  Gloucester wharves continued to be used for deliveries of trade goods by smaller vessels. In the late 1860s, Rogers' wharf at Fort Point (called "Fort Wharf" in Gloucester directories) was acquired by (Charles D.) Pettingill & (Nehemiah) Cunningham for use in "the fisheries" as listed by the directory. in 1876, it was sold to (John J.) Stanwood & Company, also for use in "the fisheries." (1)

Lowe's Wharf, adjacent to Fort Wharf, was acquired by (Sylvester) Cunningham & (William) Thompson, c.1877 and used in "the fisheries" as well. That wharf and its buildings were enlarged considerably as the business grew. By this time, Harbor Cove was completely occupied by businesses in the fisheries or providing services and equipment to the fishing fleet. In photographs of Fort Point from this period, it is difficult to distinguish one business from another, so closely are they adjoined.

– Erik Ronnberg

Reference:

1. A city atlas, dated 1899, indicates that Rogers's wharf at Fort Point was still listed as part of his estate. If so, then Stanwood & Co. would have been leasing that facility from the Rogers's estate. 

The northeast quarter of Gloucester Harbor is an inlet bounded by Fort Point and Rocky Neck at its entrance. It is further indented by three coves: Harbor Cove and Vincent’s Cove on its north side, and Smith’s Cove on its south side. The shallow northeast end is called Head of the Harbor. Collectively, this inlet with its coves and shallows  is called  Inner Harbor.

The entrance to Inner Harbor is a wide channel bounded by Fort Point and Duncan’s Point on its north side, and by Rocky Neck on its south side. From colonial times to the late nineteenth century, it was popularly known as “the Stream” and served as anchorage for deeply loaded vessels for “lightering” (partial off-loading). Subsequently it was known as “Deep Hole.”

Of Inner Harbor’s three coves, Harbor Cove (sometimes called “Old Harbor” in later years) was the deepest and most heavily used by fishing vessels in the Colonial Period, and largely dominated by the foreign trade in the first half of the nineteenth century. Its shallow bottom was the undoing of the foreign trade, as larger vessels became too deep to approach its wharves, and the cove returned to servicing a growing fishing fleet in the 1850s.

Vincent’s Cove, a smaller neighbor to Harbor Cove, was bare ground at low tide, and mostly useless for wharfage. Its shoreline was well suited for shipbuilding, and the cove was deep enough at high tide for launching. Records of shipbuilding there prior to the early 1860s have to date not been found.Smith’s Cove afforded wharfage for fishing vessels at its east entrance, as seen in Lane’s lithograph View of the Town of Gloucester, Mass., 1836 (inv. 86). The rest of the cove saw little use until the expansion of the fisheries after 1865.

The Head of the Harbor begins at the shallows surrounding Five Pound Island, extending to the harbor’s northeast end. Lane’s depiction of this area in Gloucester Harbor, 1847 (inv. 23) shows the problems faced by vessel owners at low tide. Despite the absence of deep water, this area saw rapid development after 1865 when a thriving fishing industry needed waterfront facilities, even if they were accessible only at high tide.

– Erik Ronnberg

Preceded by Annisquam as the earliest permanently settled harbor and Gloucester’s original first parish, Gloucester Harbor did not become a seaport of significance until the end of the 17th century. Its earliest fishing activity was focused on nearby grounds in the Gulf of Maine, few vessels venturing further to the banks off Canada. After 1700, as maritime activity was well-established in fishing, shipbuilding, and coastal trade, the waterfront saw the expansion of flake yards for drying fish and wharves for berthing and outfitting vessels, loading lumber and fish, and receiving trade goods. Shipbuilding was also carried on, using shorelines with straight slopes not suited for wharves.

By 1740, the majority of Cape Ann-owned vessels were berthed in Gloucester Harbor; three years later, Watch House Point (now called Fort Point) was armed and fortified. The fishing fleet continued to grow, numbering over 140 vessels by the time of the Revolution. A customs office was established in 1768, resulting in strong protests over seizures of contraband. Revolution brought hardship to the fishing industry, forcing many vessel owners to resort to privateering.

Independence saw a much-diminished fishing fleet and a severely impoverished seaport. With the Federally-sponsored incentive of the codfish bounties, Gloucester fishermen began to rebuild their fishing fleet. By 1790, trade with Surinam was under way, leading to the building and purchase of merchant vessels, new wharves, and improvements to old wharves in Harbor Cove, which had become Gloucester’s center of maritime activity. In addition to shipyards and sail lofts, two ropewalks furnished cordage for rigging.

The first four decades of the 19th century saw fitful growth in the fishing industry, due to the interruptions of war and financial panics. Few wharves were added to the waterfront in that period, and when new ones were built, their purpose was to serve the growing Surinam Trade. Fishing had come to its low point in the 1840s when the railroad reached Gloucester, opening a huge inland market for the fish it caught. The use of ice to keep fish fresh, combined with new and faster fishing schooners to get it quickly to port, sparked a revival in Gloucester’s fishing industry. 

As Gloucester’s fishing industry revived, its growth in the Surinam Trade was hampered by its shallow harbor which made berthing of ever larger ships more difficult. Forced to seek a deeper harbor, merchants reluctantly sent their largest ships to Boston for unloading. Between 1850 and 1860, this process continued until ships and warehouses were relocated and their owners commuted to Boston by rail, leaving their old wharves to the fishing fleet. In 1863, the Surinam trade collapsed.                                                                                                                                 

Gloucester’s fishing fleet grew dramatically in the 1850s for more reasons than ice, railroads, and faster schooners. The technology of catching fish also improved dramatically. Hand-line fishing (two hooks on a line) gave way to dory trawling with many hooks on a very long “trawl line,” while fishing for mackerel with hand-lines was replaced by “purse seining,” setting a 1,000-foot-long net in a circle around a school of mackerel. These dramatic improvements in productivity were expensive but made possible by the fishermen organizing a mutual savings bank to serve their needs and a mutual insurance company to cover their risks. These advantages could not be matched by any other fishing communities in New England or in the Canadian Maritime Provinces, sparking a huge migration of fishermen to Gloucester. These newcomers were welcomed to fill a growing work force while Gloucester’s native work force moved on to other, less dangerous, occupations.

Lane’s depictions of Gloucester’s waterfront best illustrate the period before 1850. After that date, his attention turned more to the Harbor’s outer shores, to nearby communities such as Manchester, to New York, back to Boston, and north to Maine. While his lapse of interest is regrettable, the scenes and activity he missed were becoming popular with photographers while his earlier waterfront views are nowhere else to be found.

–Erik Ronnberg

References: 

Dates and happenings were based on (or confirmed by):

Mary Ray and Sarah V. Dunlap, “Gloucester, Massachusetts Historical Time-Line (Gloucester: Gloucester Archives Committee, 2002).

Improvements to Gloucester’s fishing technology, management, and financing are based on:

Wayne O’ Leary, “Maine Sea Fisheries” (Boston: Northeastern University Press, 1996), pp. 166–179 (fishing technology), 235–251 (management and financing), and 235–251 (in-migration to Gloucester).

In the ninteenth century, the term "bark" was applied to a large sailing vessel having three masts, the first two (fore and main) being square-rigged; the third (mizzen), fore-and-aft rigged. The reduced square-rig made the vessel easier and more economical to handle, using a smaller crew. (1)

Barks had significant presence in mid-nineteenth-century America, as indicated by Lane’s depictions of them. Hardly any are to be found in his scenes of major ports, but some do appear in his Cape Ann scenes (see The Fort and Ten Pound Island, Gloucester (Harbor Scene), 1848 (inv. 58), View of Gloucester, 1859 (inv. 91), Gloucester Harbor, 1850s (inv. 391), and Bark "Eastern Star" of Boston, 1853 (inv. 571)), also in views of other small ports and of coastal shipping (see Clipper Ship "Southern Cross" in Boston Harbor, 1851 (inv. 253), Merchantmen Off Boston Harbor, 1853 (inv. 267), Approaching Storm, Owl's Head, 1860 (inv. 399), and Bark "Mary", n.d. (inv. 629)).

Brigs, and to a lesser extent ships, were the vessels of choice for Gloucester’s foreign trade in the first half of the nineteenth century. They brought cargos from the West Indies, South America, and Europe, anchoring in the deeper parts of the Inner Harbor while lighters off-loaded the goods and landed them at the wharves in Harbor Cove, by then too shallow for the newer, larger merchant vessels coming into use. (2) By mid-century, barks were gradually replacing brigs and ships, while the trade with Surinam was removed to Boston in 1860. (3)

Some bulk cargos still had to be landed in Gloucester, salt for curing fish being the most important. “Salt barks” brought Tortugas salt from the West Indies, and in the 1870s, Italian salt barks began bringing Trapani salt from Sicily. The importation of salt by sailing ships ended with the outbreak of World War I. (4)

The term barkentine, like the bark, pre-dates the nineteenth century, but in the mid- to late 1800s referred to a large vessel of three masts (or more), with only the fore mast square-rigged, the others being fore-and-aft-rigged. In Lane’s time, the term was little known in the United States, while many other names were coined for the rig. One of these early terms was demi-bark, probably from the French demi-barque, which was applied to a very different kind of vessel. (5) Lane’s depictions of these rigs include a lithograph of the steam demi-bark "Antelope" View of Newburyport, (From Salisbury), 1845 (inv. 499) and at least three depictions of Cunard steamships The "Britannia" Entering Boston Harbor, 1848 (inv. 49), Cunard Steamship Entering Boston Harbor, n.d. (inv. 197), and Cunard Liner "Britannia", 1842 (inv. 259). (6) None of these subjects typify the barkentine rig as applied to sails-only rigs as they developed in the years after Lane’s death.

– Erik Ronnberg (May, 2015)

References:

1. R[ichard] H[enry] Dana, Jr., The Seaman's Friend (Boston; Thomas Groom & Co., 1841. 13th ed., 1873), 97 and Plate IV with captions; and M.H. Parry, et al., Aak to Zumbra: A Dictionary of the World's Watercraft (Newport News, VA: The Mariners’ Museum, 2000), 43.

2. Alfred Mansfield Brooks, Gloucester Recollected (Gloucester, MA: Peter Smith, 1974), 56, note 10; 67, note 7.

3. James R. Pringle, History of the Town and City of Gloucester (1892. Reprint: Gloucester, MA, 1997), 106–08.

4. Raymond McFarland, A History of the New England Fisheries (Philadelphia: University of Pennsylvania, 1911), 95–96; and Mark Kurlansky, Salt: A World History (New York: Walker & Co., 2002), 419–420.

5. Parry, 44, 167. Dana has neither definition nor illustration of this rig.

6. J[ohn] W. Griffiths, “The Japan and China Propeller Antelope," U.S. Nautical Magazine III (October 1855): 11–17. This article includes an impression of Lane’s lithograph on folded tissue.

The colonial American shallop is the ancestor of many regional types of New England fishing craft found in Lane's paintings and drawings, including "New England Boats" (known as "boats"), and later descendents, such as "Chebacco Boats," "Dogbodies," and "Pinkies." (discussed elsewhere)

These boats were very common work boat types on Cape Ann throughout the 1800s. They were primarily used for inshore coastal fishing, which included lobstering, gill-netting, fish-trapping, hand-lining, and the like. They were usually sailed by one or two men, sometimes with a boy, and could be rowed as well as sailed. An ordinary catch would include rock cod, flounder, fluke, dabs, or other small flat fish. The catch would be eaten fresh, or salted and stored for later consumption, or used as bait fish. Gill-netting would catch herring and alewives when spawning. Wooden lobster traps were marked with buoys much as they are today, and hauled over the low sides of the boat, emptied of lobsters and any by-catch, re-baited and thrown back.

THE SHALLOP

Like other colonial vessel types, shallops were defined in many ways, including size, construction, and rig. Most commonly, they were open boats with square or sharp sterns, 20 to 30 feet in length, two-masted rigs, and heavy sawn­frame construction which in time became lighter. (1)

The smaller shallops developed into a type called the Hampton Boat early in the nineteenth century, becoming the earliest named regional variant of what is now collectively termed the New England Boat. Other variants were named for their regions of origin: Isles of Shoals Boat, Casco Bay Boat, No Mans Land Boat, to name a few. No regional name for a Cape Ann version has survived, and "boat," or "two­-masted boat" seems to have sufficed. (2)

Gloucester's New England Boats were mostly double-­enders (sharp sterns) ranging in length from 25 to 30 feet, with two masts and two sails (no bowsprit or jib). They were used in the shore fisheries: hand­lining, gill­netting, and gathering or trapping shellfish (see View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), View of Gloucester Harbor, 1848 (inv. 97), and /entry: 240/). (3)

Larger, double­-ended shallops became decked and evolved in Ipswich (the part now called Essex) to become Chebacco Boats. (4) This variant retained the two­-mast, two-­sail rig, but evolved further, acquiring a bowsprit and jib and becoming known as a pinky (see Gloucester Harbor from Rocky Neck, 1844 (inv. 14), The Western Shore with Norman's Woe, 1862 (inv. 18), and The Old Fort and Ten Pound Island, Gloucester, 1850s (inv. 30)). The Chebacco Boat became a distinct type by the mid-eighteenth century giving rise to the pinky in the early ninetennth century; the latter, by the early 1900s. (5)

References:

1. William A. Baker, Sloops & Shallops (Barre, MA: Barre Publishing Co., 1966), 27–­33; and “Vessel Types of Colonial Massachusetts,” in Seafaring in Colonial Massachusetts (Boston: The Colonial Society of Massachusetts, 1980), 13­–15, see figs. 10, 11.

2. Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 136­–45.

3. Ibid., 145, upper photo, fourth page of plates.

4. Baker, 82–91.

5. Chapelle, The American Fishing Schooners, 1825­–1935 (New York: W.W. Norton & Co., 1973), 23­–54.

THE NEW ENGLAND BOAT

By the 1840s, the Gloucester version of the New England Boat had evolved into a distinct regional type. Referred to locally as “boats,” the most common version was a double-ender, i.e. having a pointed stern, unlike the less common version having a square stern.

Both variants had two masts, a foresail, a mainsail, but no bowsprit or jib. Lane depicted both in several paintings, beginning in the mid­-1840s (see View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), View of Gloucester Harbor, 1848 (inv. 97), and /entry: 240/), all ranging 25 to 30 feet in length. In View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), a double-­ender can be seen on the beach while a square-stern version lies at anchor in the harbor, just to the right of the former. (1)

Lane’s depictions of the double-­enders show lapstrake hull planking in View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), and cuddies (short decking) inboard at the ends for shelter and stowage of fishing gear in View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94). The few square-­stern examples (see View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240)) suggest carvel (smooth) planking and paint finish, rather than oil and tar. The presence of an example of the latter variant in Boston Harbor, as noted in Boston Harbor, c.1850 (inv. 48), suggests a broader geographical range for this sub­type. (2)

The primary use of Cape Ann’s “boats” was fishing, making “day trips” to coastal grounds for cod, herring, mackerel, hake, flounder, and lobster, depending on the season. Fishing gear included hooks and lines, gill nets, and various traps made of wood and fish net.

Some boats worked out of Gloucester Harbor, but other communities on Cape Ann had larger fleets, such as Sandy Bay, Pigeon Cove, Folly Cove, Lanesville, Bay View, and Annisquam. Lane’s depictions of these places and their boats are rare to nonexistent. (3)

The double­-ended boat served Lane in marking the passage of time in Gloucester Harbor. In View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), we see new boats setting out to fish, but in View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), a boat of the same type is depicted in a progressively worn state. In Stage Fort across Gloucester Harbor, 1862 (inv. 237), the boat is a stove hulk on a beach, and in the same year, Lane depicted the type’s shattered bottom frame and planking lying on the shore at Norman’s Woe in Norman's Woe, Gloucester Harbor, 1862 (inv. 1).

Regional variants of the New England Boat appear in Lane’s paintings of Maine harbors, including one­ and two­-masted versions, collectively called Hampton Boats (see Bear Island, Northeast Harbor, 1855 (inv. 24), Ten Pound Island at Sunset, 1851 (inv. 25), Fishing Party, 1850 (inv. 50), Father's (Steven's) Old Boat, 1851 (inv. 190), and "General Gates" at Anchor off Our Encampment at Bar Island in Somes Sound, Mount Desert, Maine, 1850 (inv. 192)). Some distinctive regional types were given names, i.e. Casco Bay Boats ("General Gates" at Anchor off Our Encampment at Bar Island in Somes Sound, Mount Desert, Maine, 1850 (inv. 192) may be one), but many local type names, if they were coined, have been lost. (4)

References:

1. Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 141–42.

2. Ibid., 152­–55.

3. Sylvanus Smith, Fisheries of Cape Ann (Gloucester, MA: Press of the Gloucester Times, 1915), 96–­97, 102–05, 110­–13.

4. Chapelle, 152–55.

Schooners in Lane’s time were, with few exceptions, two-masted vessels carrying a fore-and-aft rig having one or two jibs, a fore staysail, gaff-rigged fore- and main sails, and often fore- and main topsails. One variant was the topsail schooner, which set a square topsail on the fore topmast. The hulls of both types were basically similar, their rigs having been chosen for sailing close to the wind. This was an advantage in the coastal trade, where entering confined ports required sailing into the wind and frequent tacking. The square topsail proved useful on longer coastwise voyages, the topsail providing a steadier motion in offshore swells, reducing wear and tear on canvas from the slatting of the fore-and-aft sails. (1)

Schooners of the types portrayed by Lane varied in size from 70 to 100 feet on deck. Their weight was never determined, and the term “tonnage” was a figure derived from a formula which assigned an approximation of hull volume for purposes of imposing duties (port taxes) on cargoes and other official levies. (2)

Crews of smaller schooners numbered three or four men. Larger schooners might carry four to six if a lengthy voyage was planned. The relative simplicity of the rig made sail handling much easier than on a square-rigged vessel. Schooner captains often owned shares in their vessels, but most schooners were majority-owned by land-based firms or by individuals who had the time and business connections to manage the tasks of acquiring and distributing the goods to be carried. (3)

Many schooners were informally “classified” by the nature of their work or the cargoes they carried, the terminology coined by their owners, agents, and crews—even sometimes by casual bystanders. In Lane’s lifetime, the following terms were commonly used for the schooner types he portrayed:

Coasting schooners: This is the most general term, applied to any merchant schooner carrying cargo from one coastal port to another along the United States coast (see Bar Island and Mt. Desert Mountains from Somes Settlement, 1850 (inv. 401), right foreground). (4)

Packet schooners: Like packet sloops, these vessels carried passengers and various higher-value goods to and from specific ports on regular schedules. They were generally better-maintained and finished than schooners carrying bulk cargoes (see The Old Fort and Ten Pound Island, Gloucester, 1850s (inv. 30), center; and Gloucester Inner Harbor, 1850 (inv. 240), stern view). (5)

Lumber schooners: Built for the most common specialized trade of Lane’s time, they were fitted with bow ports for loading lumber in their holds (see View of Southwest Harbor, Maine: Entrance to Somes Sound, 1852 (inv. 260)) and carried large deck loads as well (Stage Rocks and the Western Shore of Gloucester Outer Harbor, 1857 (inv. 8), right). Lumber schooners intended for long coastal trips were often rigged with square topsails on their fore masts (see Becalmed Off Halfway Rock, 1860 (inv. 344), left; ; and Lumber Schooner in a Gale, 1863 (inv. 552)). (6)

Schooners in other specialized trades. Some coasting schooners built for carrying varied cargoes would be used for, or converted to, special trades. This was true in the stone trade where stone schooners (like stone sloops) would be adapted for carrying stone from quarries to a coastal destination. A Lane depiction of a stone schooner is yet to be found. Marsh hay was a priority cargo for gundalows operating around salt marshes, and it is likely that some coasting schooners made a specialty of transporting this necessity for horses to urban ports which relied heavily on horses for transportation needs. Lane depicted at least two examples of hay schooners (see Gloucester Harbor, 1850s (inv. 391), left; and Coasting Schooner off Boon Island, c.1850 (inv. 564)), their decks neatly piled high with bales of hay, well secured with rope and tarpaulins.

– Erik Ronnberg

References:

1. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 258. While three-masted schooners were in use in Lane’s time, none have appeared in his surviving work; and Charles S. Morgan, “New England Coasting Schooners”, The American Neptune 23, no. 1 (DATE): 5–9, from an article which deals mostly with later and larger schooner types.

2. John Lyman, “Register Tonnage and its Measurement”, The American Neptune V, nos. 3–4 (DATE). American tonnage laws in force in Lane’s lifetime are discussed in no. 3, pp. 226–27 and no. 4, p. 322.

3. Ship Registers of the District of Gloucester, Massachusetts, 1789–1875 (Salem, MA: The Essex Institute, 1944). Vessels whose shipping or fishing voyages included visits to foreign ports were required to register with the Federal Customs agent at their home port. While the vessel’s trade or work was unrecorded, their owners and master were listed, in addition to registry dimensions and place where built. Records kept by the National Archives can be consulted for information on specific voyages and ports visited.

4. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 40, 42–43.

5. Ibid., 42–43, 73.

6. Ibid., 74–76.

Sloops are one-masted sailing vessels which, in American examples, set fore-and-aft sails but usually no square sails. Thus, staysails, or jibs, are set from the fore stay(s) and a quadrilateral mainsail is set from the mast and spread by a gaff and a boom. The larger sloops would often set a triangular topsail over the main sail. (1)

The sloops depicted by Lane were used in various coastal trades, each with its own requirements, which dictated the sizes and details of their hulls and rigs. Most elegant were the packet sloops, which transported passengers, mail, and higher value goods between specific ports on regular schedules. They usually measured between sixty and seventy-five feet on deck, as dictated by anticipated shipping volume. Finely finished, they usually had stern galleries—a row of windows across the transom with ornamental moldings—and varied color schemes. Examples of packet sloops are in Gloucester Harbor from Rocky Neck, 1844 (inv. 14) (center, middle ground) and Study of Ships, 1851 (inv. 141) (foreground), both of which probably made trips between Gloucester and Boston, or Gloucester and Newburyport. (2)

Another specialized sloop of similar size was the stone sloop, used to ship granite blocks from stone-loading piers around Cape Ann to other ports. They were similar in rig to packet sloops, but of heavier construction with greater hold capacity and absence of decoration. Their stout appearance was augmented by simple color schemes, or even tarred topsides, reflecting the wear and strain imposed by their heavy cargos. Lane depicted these vessels in his painting of Fresh Water Cove from Dolliver's Neck, Gloucester, Early 1850s (inv. 45), with a sloop (at left) preparing to load at wharf-side, and another (at right) sailing out with a cargo. (3)

Sloops of the more work-a-day sort are the most commonly seen examples in Lane’s paintings, most of them appearing in his views of Boston Harbor. Usually deep-loaded and looking weather-worn, they contrast sharply with the packet- and clipper ships which dominate the scene. Sloops of this type are rarely seen in Lane’s paintings of Gloucester Harbor and the Maine coast, although they were certainly needed for short-distance transportation (see Bear Island, Northeast Harbor, 1855 (inv. 24), View of Camden Mountains from Penobscot Bay, c.1852 (inv. 207), Sunrise on the Maine Coast, Mount Desert Island, 1856 (inv. 295)). For coastal Maine, lack of railroads for heavier freight and greater distances between ports made the use of schooners with larger carrying capacity a greater necessity. (4)

In Lane’s views of New York Harbor, a regional sloop variant, the Hudson River Sloop, appears in New York Harbor, c.1855 (inv. 46) (bow view, left) and A Calm Sea, c.1860 (inv. 6) (stern view, right). This type had become prominent in the Hudson River packet trade between New York City, Albany, and beyond to points north and west as far as the eastern terminus of the Erie Canal.  Large vessels for their rigs, they were well-finished and well-kept, reflecting pride of ownership and rivalry among their owners and crews. (5)

– Erik Ronnberg

References:

1. A Naval Encyclopaedia (Philadelphia: L.R. Hamersly & Co., 1884. Reprint: Detroit, MI: Gale Research Company, 1971), 59.  See first definition of "sloop" and definition of "sloop-rigged."

2. Robert Greenhalgh Albion, William A. Baker, and Benjamin Woods Labaree, New England and the Sea (Mystic, CT: Mystic Seaport Museum, 1972; reprinted in 1994), 127–28.

3. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 300–02.

4. Ibid., 300.

5. Ibid., 298–300.

The yawl boat was a ninteenth-century development of earlier ships' boats built for naval and merchant use. Usually twenty feet long or less, they had round bottoms and square sterns; many had raking stem profiles. Yawl boats built for fishing tended to have greater beam than those built for vessels in the coastal trades. In the hand-line fisheries, where the crew fished from the schooner's rails, a single yawl boat was hung from the stern davits as a life boat or for use in port. Their possible use as lifeboats required greater breadth to provide room for the whole crew. In port, they carried crew, provisions, and gear between schooner and shore. (1)

Lane's most dramatic depictions of fishing schooners' yawl-boats are found in his paintings Gloucester Outer Harbor, from the Cut, 1850s (inv. 109) and /entry:311. Their hull forms follow closely that of Chapelle's lines drawing. (2) Similar examples appear in the foregrounds of Gloucester Harbor, 1852 (inv. 38), Ships in Ice off Ten Pound Island, Gloucester, 1850s (inv. 44), and The Fort and Ten Pound Island, Gloucester, Massachusetts, 1847 (inv. 271). A slightly smaller example is having its bottom seams payed with pitch in the foreground of Gloucester Harbor, 1847 (inv. 23). In Gloucester Inner Harbor, 1850 (inv. 240), a grounded yawl boat gives an excellent view of its seating arrangement, while fishing schooners in the left background have yawl boats hung from their stern davits, or floating astern.

One remarkable drawing, Untitled, n.d. (inv. 219) illustrates both the hull geometry of a yawl boat and Lane's uncanny accuracy in depicting hull form in perspective. No hull construction other than plank seams is shown, leaving pure hull form to be explored, leading in turn to unanswered questions concerning Lane's training to achieve such understanding of naval architecture.

– Erik Ronnberg

References:

1. Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 222–23.

2. Ibid., 223.

The Ten Pound Island light was built on a three-and-a-half acre island at the eastern end of Gloucester Harbor. Built as a conical stone tower, the original 20-foot-tall Ten Pound Island Light was first lit in October, 1821 after the Commonwealth of Massachusetts and the Town of Gloucester ceded 1.7 acres to the U.S. Government for the construction of an inner harbor lighthouse to help mariners navigate the harbor. Ten Pound Island light was a popular subject with artists, including Winslow Homer, who boarded with the lighthouse keeper at Ten Pound Island in the summer of 1880. It is frequently featured in Lane's paintings of Gloucester Harbor.

This information has been shared with the Lane project by Jeremy D'Entremont. More information can be found at his website, www.newenglandlighthouses.net or in The Lighthouse Handbook New England. This information has also been summarized from Paul St. Germain's book, Lighthouses and Lifesaving Stations on Cape Ann.

The Eastern Point Light is located in the town of Gloucester, Massachusetts on the east side of the entrance to Gloucester Harbor. In 1829, an unlit stone beacon was erected on Eastern Point to help mariners navigating Gloucester Harbor. Shortly thereafter, in 1832, a wrought-iron and copper lantern was added to the stone tower, and the first Eastern Point Light was born. During the 1840s, Gloucester became one of the most important fishing ports in America, and to cope with the increased fishing traffic, a new Eastern Point Light was built in 1848. The new 34 foot tower gained the nickname "The Ruby Light" due to its unique fixed red light. The Eastern Point Light was further improved upon in the following decades with the addition of a fourth-order Fresnel lens and fog bell.  

This information has been shared with the Lane project by Jeremy D'Entremont. More information can be found at his website, www.newenglandlighthouses.net or in The Lighthouse Handbook New England. This information has also been summarized from Paul St. Germain's book, Lighthouses and Lifesaving Stations on Cape Ann. 

The harvesting of granite from quarries dug deep into the earth was an important industry on Cape Ann from the 1830s through the early 20th century. Second only to fishing in economic output, for 100 years the granite business played a pivotal role in the local economy providing jobs for many, turning profits for some and generating tons and tons of cut granite that was used here on Cape Ann and shipped to ports all along the Atlantic seaboard.

Granite quarrying started slowly in this area in the late eighteenth century with small operations peppered across the rocky terrain. Construction of a fort at Castle Island in Boston Harbor in 1798 followed by a jail in nearby Salem in 1813, jump-started the granite industry here on Cape Ann. During the 1830s and 1840s, the trade grew steadily. By the 1850s, the stone business was firmly established and Cape Ann granite was known throughout the region. So extensive and so awe-inspiring were operations during the second half of the nineteenth century some observers feared that the business might actually run out of stone.

While granite was taken from the earth in all different sizes and shapes, Cape Ann specialized in the conversion of that granite into paving blocks which were used to finish roads and streets. Millions of paving stones were shipped out of Cape Ann annually, destined for construction projects in New York, Philadelphia and all along the Atlantic seaboard. While paving blocks were basically uniform in size, there were subtle differences leading some to be referred to as Philadelphia blocks while others were identified as Boston blocks or Washington blocks.

– Martha Oaks (April, 2015)

The timber trade played an important role in New England’s economy from Colonial days through the mid-19th century, supplying the vast quantities of lumber which a rapidly growing nation demanded.  While Cape Ann’s woodlands were depleted early on, timber continued to be harvested from northern New England and the Maritime Provinces right up to the Civil War.

With a deep and safe harbor, Gloucester often served as a layover spot where vessels bound from Maine to Boston, New York or Baltimore and heavily laden with lumber could ride out bad weather.  Because of this, Fitz Henry Lane’s paintings of Gloucester Harbor often show a schooner or a brig, loads of lumber clearly visible on their decks, sheltering along the Western Shore.

References:

Honey, Mark E., "King Pine, Queen Spruce, Jack Tar," An Intimate History of Lumbering on the Union River, Volumes 1-5. This source, in its entirety, lays down the foundation of Downeast Maine's unique culture which was built upon pine lumber and timber, the cod fisheries, coasting, shipbuilding, and the interrelationships of family and community.

To judge from Lane's depictions of Gloucester Harbor, It would seem that the harbor was devoid of shipbuilding activity, with only one painting The Fort and Ten Pound Island, Gloucester (Harbor Scene), 1848 (inv. 58) showing a vessel under construction. While the historical record shows far more shipbuilding activity in nearby Essex, Gloucester did have significant shipbuilding in the years 1800 to 1865, amounting to 93 registered vessels and an unknown number of enrolled vessels. The registered vessels included 82 schooners, four (full-rigged) ships, one bark, four brigs, and two sloops. The numbers of enrolled vessels is unknown, but they were likely to be smaller craft with sloop and schooner rigs, and built in significant numbers. (1)

Official records were compiled by the U.S. Customs Service for all merchant and fishing vessels, registry being applied to vessels trading or fishing in foreign waters and ports. "Enrolment" (as spelled on customs documents) was applied to vessels fishing or trading only in U.S. territorial waters. Registry documents were filed with the Register of the Treasury in Washington, DC, as well as with the local customs offices. Enrollment documents were filed only with local customs offices and were subject to loss due to fires or careless storage, leaving many voids in the record of American coastal fishing and shipping. (2)

Shipbuilding was a time-consuming process, needing a sizeable space for lofting, millwork, storage of shipbuiding timbers and lumber, not to mention the building- and launching ways. Prime waterfront space was not a necessity. As long as the launching incline is straight, and the water is deep enough to float the vessel at high tide, the building site can utilize unwanted shoreline, as it did in Gloucester's Vincent Cove for many years. The likelihood that Gloucester shipyards were in out-of-the-way places around the Inner Harbor is probably why Lane (and his clientele) paid so little attention to them.

The vessel in Lane's painting is probably a very small schooner—more likely to be enrolled than registered. Building vessels on a wharf was common in Gloucester, even into the twentieth century, but launching was difficult for larger vessels. The example in Lane's painting will probably measure (not weigh) about twenty tons - a small vessel which should be easy to launch this way. Needless to say, the launching would take place at high tide, when the drop from wharf to water was minimal.

– Erik Ronnberg

References:                                                                                            

1. Ship Registers of the District of Gloucester, Massachusetts, 1789-1875 (Salem, MA: The Essex Institute, 1944)

2. Forrest R. Holdcamper, "Registers, Enrollments and Licenses in the National Archives", The American Neptune 1, no. 3, 275–83.

Surinam was to Gloucester what China was to Salem, and for the first half of the 19th century Gloucester merchant ships monopolized the trade of exchanging salt fish for molasses. The fish was often of poor quality, destined for the mouths of plantation slaves, but the molasses was rich and dark and a necessary ingredient of the very lucrative New England rum business. The wealth of many of Gloucester’s merchant families was based on this trade.

– Stephanie Buck