Catalogue Entry

From July 25-August 16,1848, Castine native Noah Brooks made a return visit to his hometown. He was eighteen at the time, and had been living in Boston. In his diary, there is no mention of Lane, but he recounts Castine gossip, and writes about visits with the Stevens and Witherle familes, accounts of swimming in Back Cove, and reading Wuthering Heights. The daily arrival of "the boat" (the "T.F.S." or the "Secor")—the way it was anticipated and observed by Castine residents—is notable.

Chart with key showing the route of an excursion on the sloop "Superior" out of Castine made by William H. Witherle, Lane, Stevens and friends during which Lane made several sketches of Mt. Desert scenery. The trip was chronicled by Witherle in his diary of 1852.

In The Illustrated Coast Pilot with sailing directions. The Coast of New England from New York to Eastport, Maine including Bays and Harbors, published by N. L. Stebbins, Boston, Mass.

"[The painting] is offered you for $150 on as long time and in as many notes at 3% interest as you choose. . . I believe this to be the only important painting of Gloucester Harbor that Lane never duplicated. . . .Returning from a Gloucester visit while I was still under the roof there, father brought a print of Lane's first Gloucester view, bought of the artist at his Tremont Temple studio in Boston. An extra dollar had been paid for coloring it. For a few years it was a home delight.. . .I had been a few years in Gloucester when Lane began to come, for part of the time a while, if I remember rightly. He painted in his brother's house, "up in town" it then was. I recall visits there to see his pictures. But it was long after, that I could claim more than a simple speaking acquaintance. The Stacys were very kind, aiding him as time went on in selling paintings by lot. I invested in a view of Gloucester from Rocky Neck, thus put on sale at the old reading room, irreverently called "Wisdom Hall." And they bought direct of him to some extent, before other residents. Lane was much my senior and yet we gradually drifted together. Our earliest approach to friendship was after his abode began in Elm Street as an occupant of the old Prentiss [sic-corrected Stacy] house, moved there from Pleasant. I was a frequenter of this studio to a considerable extent, yet little compared with my intimacy at the next and last in the new stone house on the hill. Lane's art books and magazines were always at my service and a great inspiration and delight—notably the London Art Journal to which he long subscribed. I have here a little story to tell you. A Castine man came to Gloucester on business that brought the passing of $60 through my hands at 2 1/2 % commission. I bought with the $1.50 thus earned Ruskin's Modern Painters, my first purchase of an artbook. I dare say no other copy was then owned in town. . . .Lane was frequently in Boston, his sales agent being Balch who was at the head of his guild in those days. So in my Boston visits – I was led to Balch's fairly often – the resort of many artists and the depot of their works. Thus through, Lane in various ways I was long in touch with the art world, not only of New England but of New York and Philadelphia. I knew of most picture exhibits and saw many. The coming of the Dusseldorf Gallery to Boston was an event to fix itself in one's memory for all time. What talks of all these things Lane and I had in his studio and by my fireside!

For a long series of years I knew nearly every painting he made. I was with him on several trips to the Maine coast where he did much sketching, and sometimes was was [sic] his chooser of spots and bearer of materials when he sketched in the home neighborhood. Thus there are many paintings whose growth I saw both from brush and pencil. For his physical infirmity prevented his becoming an out-door colorist."

"My dear Sir,

I hope you will not attribute the delay in acknowledging the receipt of your splendid, and most unexpected Gift to a want of a due appreciation of it. Many reasons have consipired to prevent my doing it – unnecessary to repeat. But I can no longer defer the expressions of our warmest acknowledgements for a present in itself so valuable, and endeared to us by many associations, as a representation of scenery often admired, and which I have many times wished could be transferred to canvas, although vary far from thinking that wish would ever be gratified. You must premit me, however, to say that the Painting, valuable as it is as a work of Art, and pleased as I may be as the possessor of it, is less appreciated by us than the delicate and very generous manner in which its acceptance has been tendered. My love of Art, to which you do politely allude, I am sensible has only wanted opportunity of indulgence to have amounted to a passion. From my earliest days I have wished for opportunities to visit places, where that desire could be gratified, and my reading has only had the effect of increasing my regrets for the want of them, and of encouraging envy for those more fortunate - I feel, too, under great obligations for the Drawing of the "Siege"(1) – I had no expectations you could have produced anything so good from so rough a copy. I shall have it framed for presentation and future reference. Several gentlemen who have called in to see the painting have expressed a desire to have a drawing from you of our town, similar to yours of Gloucester, which they much admire, and of lithographs, I have no doubts copies enough could be disposed of to remunerate you. That of Homans you are aware is feebly drawn, & still worse printed. I feel desirous myself it should be done, if it suits your wishes. There are several points of view, which you did not see, & to which it will be my pleasure, next summer, to carry you. I know many of our citizens would be gratified to have this done by you. Our house we shall expect to be your home, and if, as you suggested in Gloucester, you should come in your Boat, this place could be made the rendezvous, from whence you could start to any place that convenience & inclination might dictate – . . . Permit me again to tender acknowledgements for the picture. It hangs in our parlor, & I never come in to the house, without looking in to see it, & can never cease to feel grateful for your generosity and politeness. "

 (1) Joseph Stevens was very interested the Revolutionary war event known as the "Penobscot Expedition" or the "Siege of Castine" by the British on July 25, 1779. In 1852 he handwrote an account of it and many articles are in the family's scrapbook at the Wilson Museum in Castine.

Details about Maine's fishing industry, see pp. 256–57.

Details about Maine's lumber trade in 1855, see pp. 250–52

Details about Maine's shipbuilding industry, see pp. 252–57.

Steamer schedules for 1855, including the schedule for the steamer, "T. F. Secor" which served Castine, see pp. 234–35.

1860 map, including census of towns. 

Looking at Castine from Hospital Island. Joseph Stevens, Sr. mentions this print in the letter he wrote to Lane encouraging Lane to make a lithograph of Castine.

Description of an excursion taken by Joseph Stevens, Jr., Lane, Witherle, Samuel Adams, Jr., and George Tilden around the islands of Maine near Mt. Desert. The group hired the Sloop "Superior" which was owned by Pilot Getchell. In his diary, Witherle mentions multiple times that "Lane took a sketch" especially when the water was calm. Lane often stayed on board the boat, while the others went ashore.

Excerpts of the diary include:

August 16: "Lane has a knack for frying fish."

August 17: "leaving Lane to take a sketch, we took a climb."

August 19: "went to ascend one of the highest mountains. 3/4 the way up we had to wait – once in a while for Lane who with his crutches could not keep up with us – but got along faster than we thought possible . . .Lane got up about an hour after the rest of us."

The entire text is transcribed in an account published by the Wilson Museum.

A topsail schooner has no tops at her foremast, and is fore-and-aft rigged at her mainmast. She differs from an hermaphrodite brig in that she is not properly square-rigged at her foremast, having no top, and carrying a fore-and-aft foresail instead of a square foresail and a spencer.

A schooner is shown hauled out on a cradle which travels over racks of rollers on a wood and metal track.

Details about Maine's lumber trade in 1855, see pp. 250–52

A schooner's yawl lies marooned in the ice-bound harbor in this detail.

This carte de visite was included in the Women's Centennial Collection time capsule.

"Dear Sir, Agreeable to your request that I would write something to attach to the picture in your possession of the Burning of the Packet Ship Boston in 1830, your object I suppose more fully to establish the fact that it is really one of the early productions of our fellow townsman and afterward most distinguished artist Fitz H. Lane.

The picture was drawn the same year by Mr. Lane from a sketch I made soon after the disaster aided by one of the passengers S.S. Osgood Esq. afterward a distinguished portrait painter. Mr. Lane had made not reputation of course at this time as an artist. And probably had received no instruction. It afforded me great pleasure to present this picture to you who was so devoted to him, knowing full well tho nothing very great of itself would be highly appreciative [...] as the early work of that [...] particular friend."

". . . will fully appreciate all that I have done in my garden, in ornamenting it, with flowers and plants, Rustic Arbours and Statues, and I only wish that you could be here to witness and enjoy his [Dr. J. L. Stevens] expressions of delight and interest, when a new flower attracts his attention, or some beauty of arrangement meets his eye. Samuel [B. Stevens of Castine] he tells me came up with the expectation of going on a voyage to Australia, but when he arrived in Boston he found the vessel with her compliment of men, and it is very uncertain if he goes in her. Your Mother and all at home are well. I yesterday made a sketch of Stage Fort and the surrounding scenery, from the water. Piper has given me an order for a picture from this point of view, to be treated as a sunset. I shall try to make something out of it, but it will require some management, as there is no foreground but water and vessels. One o’clock, it is very hot, the glass indicates 84° in my room, with the windows all open and a light breeze from the east, this is the warmest day . . .

. . . than devoting it to you. Since writing you last I have painted but one picture worth talking about and that one I intend for you if you should be pleased with it. It is a View of the beach between Stage Fort and Steep bank including Hovey’s Hill and residence, Fresh water cove and the point of land with the lone pine tree. Fessenden’s house, likewise comes into the picture. The effect is a mid day light with a cloudy sky, a patch of sunlight is thrown across the beach and the breaking waves, an old vessel lies stranded on the beach with two or three figures, there are a few vessels in the distance and the Field rocks likewise show at the left of the picture. I think you will be pleased with this picture, for it is a very picturesque scene especially the beach, as there are many rocks which come in to destroy the monotony of a plain sand beach, and I have so arranged the light and shade that the effect I think is very good indeed, however you will be better able to judge of that when you see it, the size is 20 x 33. . ."

"[The painting] is offered you for $150 on as long time and in as many notes at 3% interest as you choose. . . I believe this to be the only important painting of Gloucester Harbor that Lane never duplicated. . . .Returning from a Gloucester visit while I was still under the roof there, father brought a print of Lane's first Gloucester view, bought of the artist at his Tremont Temple studio in Boston. An extra dollar had been paid for coloring it. For a few years it was a home delight.. . .I had been a few years in Gloucester when Lane began to come, for part of the time a while, if I remember rightly. He painted in his brother's house, "up in town" it then was. I recall visits there to see his pictures. But it was long after, that I could claim more than a simple speaking acquaintance. The Stacys were very kind, aiding him as time went on in selling paintings by lot. I invested in a view of Gloucester from Rocky Neck, thus put on sale at the old reading room, irreverently called "Wisdom Hall." And they bought direct of him to some extent, before other residents. Lane was much my senior and yet we gradually drifted together. Our earliest approach to friendship was after his abode began in Elm Street as an occupant of the old Prentiss [sic-corrected Stacy] house, moved there from Pleasant. I was a frequenter of this studio to a considerable extent, yet little compared with my intimacy at the next and last in the new stone house on the hill. Lane's art books and magazines were always at my service and a great inspiration and delight—notably the London Art Journal to which he long subscribed. I have here a little story to tell you. A Castine man came to Gloucester on business that brought the passing of $60 through my hands at 2 1/2 % commission. I bought with the $1.50 thus earned Ruskin's Modern Painters, my first purchase of an artbook. I dare say no other copy was then owned in town. . . .Lane was frequently in Boston, his sales agent being Balch who was at the head of his guild in those days. So in my Boston visits – I was led to Balch's fairly often – the resort of many artists and the depot of their works. Thus through, Lane in various ways I was long in touch with the art world, not only of New England but of New York and Philadelphia. I knew of most picture exhibits and saw many. The coming of the Dusseldorf Gallery to Boston was an event to fix itself in one's memory for all time. What talks of all these things Lane and I had in his studio and by my fireside!

For a long series of years I knew nearly every painting he made. I was with him on several trips to the Maine coast where he did much sketching, and sometimes was was [sic] his chooser of spots and bearer of materials when he sketched in the home neighborhood. Thus there are many paintings whose growth I saw both from brush and pencil. For his physical infirmity prevented his becoming an out-door colorist."

"My dear Sir,

I hope you will not attribute the delay in acknowledging the receipt of your splendid, and most unexpected Gift to a want of a due appreciation of it. Many reasons have consipired to prevent my doing it – unnecessary to repeat. But I can no longer defer the expressions of our warmest acknowledgements for a present in itself so valuable, and endeared to us by many associations, as a representation of scenery often admired, and which I have many times wished could be transferred to canvas, although vary far from thinking that wish would ever be gratified. You must premit me, however, to say that the Painting, valuable as it is as a work of Art, and pleased as I may be as the possessor of it, is less appreciated by us than the delicate and very generous manner in which its acceptance has been tendered. My love of Art, to which you do politely allude, I am sensible has only wanted opportunity of indulgence to have amounted to a passion. From my earliest days I have wished for opportunities to visit places, where that desire could be gratified, and my reading has only had the effect of increasing my regrets for the want of them, and of encouraging envy for those more fortunate - I feel, too, under great obligations for the Drawing of the "Siege"(1) – I had no expectations you could have produced anything so good from so rough a copy. I shall have it framed for presentation and future reference. Several gentlemen who have called in to see the painting have expressed a desire to have a drawing from you of our town, similar to yours of Gloucester, which they much admire, and of lithographs, I have no doubts copies enough could be disposed of to remunerate you. That of Homans you are aware is feebly drawn, & still worse printed. I feel desirous myself it should be done, if it suits your wishes. There are several points of view, which you did not see, & to which it will be my pleasure, next summer, to carry you. I know many of our citizens would be gratified to have this done by you. Our house we shall expect to be your home, and if, as you suggested in Gloucester, you should come in your Boat, this place could be made the rendezvous, from whence you could start to any place that convenience & inclination might dictate – . . . Permit me again to tender acknowledgements for the picture. It hangs in our parlor, & I never come in to the house, without looking in to see it, & can never cease to feel grateful for your generosity and politeness. "

 (1) Joseph Stevens was very interested the Revolutionary war event known as the "Penobscot Expedition" or the "Siege of Castine" by the British on July 25, 1779. In 1852 he handwrote an account of it and many articles are in the family's scrapbook at the Wilson Museum in Castine.

Appendix G: Family Trees, in Sarah Dunlap and Stephanie Buck, Fitz Henry Lane: Family and Friends (Gloucester, MA: Church & Mason Publishing; in association with the Cape Ann Historical Museum, 2007), 164–66.

The will disposed of Lane's property (including watch and diamond breast pin), his monetary assets, and gave to the city of Gloucester a painting of the Old Fort. Joseph Stevens, Jr. and T. Sewall Lancaster were named executors. It was signed by Lane on March 10, 1865.

See p. 2, column 6.

"VIEW OF GLOUCESTER. – We are happy to state, that Mr. F. H. Lane contemplates publishing a Lithographic view of this town, from Eastern Point, provided a sufficient number of copies are subscribed for. Mr. Lane is well known in this place as a young man of genius, and we have no hesitation in saying that we believe him qualified for the task. – A subscription paper for this work may be seen at our office, and when we consider that this interesting, and we may say truly beautiful picture is offered at the low price of $1, we cannot doubt that our fellow citizens will eagerly avail themselves of this opportunity to obtain a copy of a view of this town."

“We are requested to inform the public that Mr. LANE’s View of Gloucester is in a state of forwardness, and will be completed by the first or middle of February next. Persons wishing to obtain a good lithographic view of Gloucester, and disposed to encourage a native artist, can subscribe by applying to ISAAC A. SMITH, No. 33, Front Street.”

“VIEW OF GLOUCESTER. – It will be recollected that we stated some time since, that it was the intention of Mr. Fitz H. Lane, an artist belonging to this place, to lithograph a view of Gloucester, provided a sufficient number of copies were subscribed for to warrant the undertaking. The progress of the subscription has been rather slow, but we are happy to learn it is now large enough to cover the necessary expenses of publication, and that it will be completed and furnished to subscribers as soon as possible. Mr. Lane has been in town during the past week, and has completed his sketch. – The view was taken from the upland above the cove formed by Rocky Neck, a portion of which is included. The sketch embraces the Harbor and Town from Stage Fort to the Head of the Upper Cove, and though small, the buildings and prominent points, are remarkably accurate and distinct. The foreground is occupied with bold rocks on the left, and a beautiful cottage and enclosure, with the packing establishment of Giles & Wonson, with a vessel aground at the wharf, on the right. Taking it all in all, the mirror-like surface and graceful bends of the harbor, studded here and there with most exquisitely drawn vessels; the lofty hills which nearly encompass the town, and last our handsomely situated, and really handsome village, forms the most beautiful picture of the kind we ever saw. We trust our citizens, and those who have gone from among us to other places, will duly appreciate the labors of Mr. Lane, and render his sketch not only a source of pleasure, but of profit to him. We would not be without a copy of it, when finished, for five times the amount of the subscription price.”

“We have received a copy of a lithographic sketch of the town of Gloucester, executed by Mr. FITZ H. LANE of this town. The sketch itself is, we think, most admirably executed; and so far as we are acquainted with the art, there is a softness and beauty in the design, which we do not always find in the works of older and more distinguished artists. We think that the effect would have been more striking, had the view been taken from some other place than Eastern Point. There are several places whence the town could be seen to better advantage. However, we do not mean to find fault with so deserving a performance; and we hope the people of Gloucester will encourage an artist whose youth and evident talent, with other circumstances, (that of his being a native, not the least,) ought to entitle him to their liberal patronage. We venture to predict that he will one day become distinguished in his art.

Subscribers and others may obtain the print at the store of Isaac A. Smith.”

See p. 3, column 3.

“ELWELL’S SKY LIGHT DAGUERREOTYPE ROOMS, No. 77 1–2 Front Street (Over Shaw’s Clothing Store,) Gloucester. Every description of plain and fancy case to be found in the market. Also Gold, Plated and Gilt Lockets constantly on hand. As to the quality of the pictures, call and examine.”

"Our readers will please note in passing Procter Brothers store, 123 Front St., the fine View of Gloucester, which our distinguished fellow-citizen, F.H. LANE, Esq., has recently sketched from nature and imparted to the canvass. We understand that if a sufficient number of subscribers can be obtained, it will be lithographed, thus making a beautiful picture for the parlor of our residents, as well as an appropriate gift for our wandering Cape Ann natives, who can see the place as it now is. Persons who wish to subscribe will please leave their names with the publishers, Procter Brothers."

"We would respectfully call the attention of our citizens to a new lithographic view of Gloucester, from a painting by Lane. It will be found to present a faithful and accurate picture of the town and is well executed, and worthy a place in every man's house, who has a desire to possess a view of the town of his nativity or residence. To our native born townsmen, now residing in other places, it must prove a very welcome possession. The price of the lithograph is $2.25. To those wishing to subscribe $2.75, in addition to the lithographic view, an opportunity will be afforded to draw as prizes, (provided a sufficient number of subscribers are obtained,) the following pictures, executed by Mr. Lane:

1. The original painting, from which the lithograph was taken.

2. Winter scene, cutting vessels out of the ice.

3. View of a large boulder.

4. Moonlight scene.

5. Landscape.

These pictures will shortly be on exhibition at the store of Procter Brothers, where the lithographic view may now be seen.

Few marine artists are equal to Mr. Lane in correctness and fulness of detail. His ships look like ships, and seem almost to be in motion, for they are drawn by one who knows every rope and line, both nautically and artistically. His reputation and established, and his pictures adorn the residences of many admirers in distant cities, where his productions are estimated according to there true value. We hope that his fellow citizens will appreciate the feeling which has prompted him to publish this new view of Gloucester, and by their patronage will reward him pecuniarily, as he deserves.

The pictures offered as prizes are fine and faithful sketches of well-known localities, and need only to be seen to be appreciated. – Due notice will be given when they are ready for exhibition, and further particulars, in reference to the method proposed for disposing of them, will be announced."

This clipping has three separate sections on Lane:

"There are on exhibition at Procter Brothers two views of Gloucester, from sketches by Lane, one taken in 1840 and the other in 1858. A vivid idea of the change which has taken place in our town within twenty years, may be gained by an inspection of these pictures. Call in and see them. . . .

Every one who has any idea of subscribing for 'Lane's new View of Gloucester,' should not fail to do so immediately, as we learn from the publishers that the first edition is nearly all disposed of, and the subscription book will be closed the last of March. . . .

Call in at Procter Brothers, and see how they original painting of Lane's new View of Gloucester is improved by the handsome gilt frame in which it has been placed. Here is a PRIZE for somebody. Who is the lucky man?"

"PICTURES. – Two of Lane's finest paintings are on exhibition at the Marine Insurance Reading Room. One is a most spirited representation of a gale on the sea coast. Huge rollers come rumbling towards the rocky foreground where the spray dashes high and the receding wave is thrown up sharp and wedgelike by the great crested breaker under which it is speedily overwhelmed. In the middle distance a bald headland receives the sun's rays which slant through the mist from an opening in the heavy clouds. A close reefed ship leaps proudly over the waves and safely weathers the dangerous point beyond.

The companion-piece is a bay scene in which the setting sun throws a flood of golden light over the placid water. Vessels of different kinds, with sails in light and shadow, enliven the picture. A homely old sloop getting underweigh well sets off the most prominent object - a handsome ship under full canvass, slowly gliding over the ground-swell with a light breeze afloat, while there is hardly enough below to make a cat's paw.

These pictures were painted for the spring exhibition of the National Academy at New York, whither they will go unless stopped by some appreciative purchaser.

In Lane's studio are several gems of art. - Wind against Tide on Georges, a stirring pure marine, and Recollections of Mount Desert, an exquisite bit of landscape, evince a versatility of pencil which he is not generally known to possess.

The demand for a View of Gloucester worth having (as that poor caricature of Tidd's is not) has induced Lane to supply another, which is the third and largest of his series. It is taken from Rocky Neck, like its predecessor. Of course all the modern improvements visible from that point of view are represented with the artist's usual accuracy of drawing. To the first 300 subscribers the print will be offered at the low price of $2.25 per copy. The original painting from which it is lithographed, and several other of his pictures, will be distributed by lot among those who choose to take their copies at $2.75 – a price which the print alone will command before the entire edition is exhausted."

"DRAWING OF PAINTINGS.– The distribution of five oil paintings among the subscribers to Lane’s view of Gloucester, took place on Saturday Evening, at the store of Messrs. Procter Brothers. No. 125 took the first picture, being the original painting from which the view of Gloucester was engraved. It is a valuable picture, and Mr. John H. Whidden was the lucky holder of the number. The second picture, a winter scene, giving a representation of cutting vessels out of the ice, fell to No. 186, the holder of which was Mr. William Parsons, 2d. The third picture, a moonlight scene, was taken by No. 263, which was held by Mr. Joseph Richardson of Boston. The fourth, a landscape view, fell to No. 2, the owner of which was Mr. Solomon Pool. No. 93 took the fifth, a view of a large boulder, and Mr. William D. Winchester held the ticket."