Catalogue Entry

In 1856 Robert Bennet Forbes bought nineteen acres of land for $2,800 from Israel F. Tappan in the section of the West Manchester shore known in those days as Newport. There he built Masconomo, named for the sagamore of the Agawam. In her unpublished letters to her son Robert, his wife Rose Greene Forbes wrote:

"...I think Father will put up a good sized cheap summer house, rough pillars, pine furniture etc., and very likely we shall all be there for two months next summer. He means to show people how rational people ought to live at the seaside. What nice times we shall have..."

The house was sold to Benjamin G. Boardman in 1865.

This carte de visite was included in the Women's Centennial Collection time capsule.

"Dear Sir, Agreeable to your request that I would write something to attach to the picture in your possession of the Burning of the Packet Ship Boston in 1830, your object I suppose more fully to establish the fact that it is really one of the early productions of our fellow townsman and afterward most distinguished artist Fitz H. Lane.

The picture was drawn the same year by Mr. Lane from a sketch I made soon after the disaster aided by one of the passengers S.S. Osgood Esq. afterward a distinguished portrait painter. Mr. Lane had made not reputation of course at this time as an artist. And probably had received no instruction. It afforded me great pleasure to present this picture to you who was so devoted to him, knowing full well tho nothing very great of itself would be highly appreciative [...] as the early work of that [...] particular friend."

". . . will fully appreciate all that I have done in my garden, in ornamenting it, with flowers and plants, Rustic Arbours and Statues, and I only wish that you could be here to witness and enjoy his [Dr. J. L. Stevens] expressions of delight and interest, when a new flower attracts his attention, or some beauty of arrangement meets his eye. Samuel [B. Stevens of Castine] he tells me came up with the expectation of going on a voyage to Australia, but when he arrived in Boston he found the vessel with her compliment of men, and it is very uncertain if he goes in her. Your Mother and all at home are well. I yesterday made a sketch of Stage Fort and the surrounding scenery, from the water. Piper has given me an order for a picture from this point of view, to be treated as a sunset. I shall try to make something out of it, but it will require some management, as there is no foreground but water and vessels. One o’clock, it is very hot, the glass indicates 84° in my room, with the windows all open and a light breeze from the east, this is the warmest day . . .

. . . than devoting it to you. Since writing you last I have painted but one picture worth talking about and that one I intend for you if you should be pleased with it. It is a View of the beach between Stage Fort and Steep bank including Hovey’s Hill and residence, Fresh water cove and the point of land with the lone pine tree. Fessenden’s house, likewise comes into the picture. The effect is a mid day light with a cloudy sky, a patch of sunlight is thrown across the beach and the breaking waves, an old vessel lies stranded on the beach with two or three figures, there are a few vessels in the distance and the Field rocks likewise show at the left of the picture. I think you will be pleased with this picture, for it is a very picturesque scene especially the beach, as there are many rocks which come in to destroy the monotony of a plain sand beach, and I have so arranged the light and shade that the effect I think is very good indeed, however you will be better able to judge of that when you see it, the size is 20 x 33. . ."

"[The painting] is offered you for $150 on as long time and in as many notes at 3% interest as you choose. . . I believe this to be the only important painting of Gloucester Harbor that Lane never duplicated. . . .Returning from a Gloucester visit while I was still under the roof there, father brought a print of Lane's first Gloucester view, bought of the artist at his Tremont Temple studio in Boston. An extra dollar had been paid for coloring it. For a few years it was a home delight.. . .I had been a few years in Gloucester when Lane began to come, for part of the time a while, if I remember rightly. He painted in his brother's house, "up in town" it then was. I recall visits there to see his pictures. But it was long after, that I could claim more than a simple speaking acquaintance. The Stacys were very kind, aiding him as time went on in selling paintings by lot. I invested in a view of Gloucester from Rocky Neck, thus put on sale at the old reading room, irreverently called "Wisdom Hall." And they bought direct of him to some extent, before other residents. Lane was much my senior and yet we gradually drifted together. Our earliest approach to friendship was after his abode began in Elm Street as an occupant of the old Prentiss [sic-corrected Stacy] house, moved there from Pleasant. I was a frequenter of this studio to a considerable extent, yet little compared with my intimacy at the next and last in the new stone house on the hill. Lane's art books and magazines were always at my service and a great inspiration and delight—notably the London Art Journal to which he long subscribed. I have here a little story to tell you. A Castine man came to Gloucester on business that brought the passing of $60 through my hands at 2 1/2 % commission. I bought with the $1.50 thus earned Ruskin's Modern Painters, my first purchase of an artbook. I dare say no other copy was then owned in town. . . .Lane was frequently in Boston, his sales agent being Balch who was at the head of his guild in those days. So in my Boston visits – I was led to Balch's fairly often – the resort of many artists and the depot of their works. Thus through, Lane in various ways I was long in touch with the art world, not only of New England but of New York and Philadelphia. I knew of most picture exhibits and saw many. The coming of the Dusseldorf Gallery to Boston was an event to fix itself in one's memory for all time. What talks of all these things Lane and I had in his studio and by my fireside!

For a long series of years I knew nearly every painting he made. I was with him on several trips to the Maine coast where he did much sketching, and sometimes was was [sic] his chooser of spots and bearer of materials when he sketched in the home neighborhood. Thus there are many paintings whose growth I saw both from brush and pencil. For his physical infirmity prevented his becoming an out-door colorist."

"My dear Sir,

I hope you will not attribute the delay in acknowledging the receipt of your splendid, and most unexpected Gift to a want of a due appreciation of it. Many reasons have consipired to prevent my doing it – unnecessary to repeat. But I can no longer defer the expressions of our warmest acknowledgements for a present in itself so valuable, and endeared to us by many associations, as a representation of scenery often admired, and which I have many times wished could be transferred to canvas, although vary far from thinking that wish would ever be gratified. You must premit me, however, to say that the Painting, valuable as it is as a work of Art, and pleased as I may be as the possessor of it, is less appreciated by us than the delicate and very generous manner in which its acceptance has been tendered. My love of Art, to which you do politely allude, I am sensible has only wanted opportunity of indulgence to have amounted to a passion. From my earliest days I have wished for opportunities to visit places, where that desire could be gratified, and my reading has only had the effect of increasing my regrets for the want of them, and of encouraging envy for those more fortunate - I feel, too, under great obligations for the Drawing of the "Siege"(1) – I had no expectations you could have produced anything so good from so rough a copy. I shall have it framed for presentation and future reference. Several gentlemen who have called in to see the painting have expressed a desire to have a drawing from you of our town, similar to yours of Gloucester, which they much admire, and of lithographs, I have no doubts copies enough could be disposed of to remunerate you. That of Homans you are aware is feebly drawn, & still worse printed. I feel desirous myself it should be done, if it suits your wishes. There are several points of view, which you did not see, & to which it will be my pleasure, next summer, to carry you. I know many of our citizens would be gratified to have this done by you. Our house we shall expect to be your home, and if, as you suggested in Gloucester, you should come in your Boat, this place could be made the rendezvous, from whence you could start to any place that convenience & inclination might dictate – . . . Permit me again to tender acknowledgements for the picture. It hangs in our parlor, & I never come in to the house, without looking in to see it, & can never cease to feel grateful for your generosity and politeness. "

 (1) Joseph Stevens was very interested the Revolutionary war event known as the "Penobscot Expedition" or the "Siege of Castine" by the British on July 25, 1779. In 1852 he handwrote an account of it and many articles are in the family's scrapbook at the Wilson Museum in Castine.

Appendix G: Family Trees, in Sarah Dunlap and Stephanie Buck, Fitz Henry Lane: Family and Friends (Gloucester, MA: Church & Mason Publishing; in association with the Cape Ann Historical Museum, 2007), 164–66.

The will disposed of Lane's property (including watch and diamond breast pin), his monetary assets, and gave to the city of Gloucester a painting of the Old Fort. Joseph Stevens, Jr. and T. Sewall Lancaster were named executors. It was signed by Lane on March 10, 1865.

A great fire swept through Main St. in Gloucester:

“We have been called to witness the most distressing calamity which has ever visited our citizens. A considerable part of our town is in ruins. On Thursday morning, about 4 o’clock fire was discovered in the house owned and occupied by Samuel Gilbert, in Front Street, and is supposed to have commenced in a building in rear of said house, though the exact spot in which it originated is not accurately known, The flames spread with such rapidity, notwithstanding the calmness of the atmosphere, that no effectual check could be given, until they had destroyed upwards of 20 dwelling houses, together with about 40 stores, mechanic’s shops and other smaller buildings. These were mostly on the south side of the street, and between it and the water. Crossing the street, however, it destroyed several buildings, but was fortunately arrested at the store of Kimball & Hough, by demolishing two small buildings adjoining. It was finally checked by the arrival of assistance from Sandy Bay, Essex, Manchester and Ipswich, the engines from those places rendering the most important services, as without them the greater part of the village must have been consumed. We feel very grateful to the citizens of the above named places as well as to those of Salem, Beverly, Danvers & Marblehead. They set out very promptly at the first information of our distress, but in consequence of the general confusion & anxiety that prevailed, suitable measures were not taken to obtain seasonable aid from the most distant of these towns.

The disaster has fallen upon that part of our town in which the most business was transacted, and the sufferers are among our most active and enterprising citizens. No correct estimate of the losses sustained can, at present be made. – Great praise is due to the citizens generally for their intrepidity and vigorous exertions on this occasion . . . “

Lane was not mentioned by name, but he would have removed his furniture along with others.

"List of Letters Remaining at the Post Office at Gloucester"

Nathaniel B. [sic] Lane got mail on Oct. 1, 1831

F.H. Lane is listed under Marine Painters at 28 Joy's building

F.H. Lane is listed under Marine Painters at 16 Tremont Temple

F.H. Lane is listed under Marine Painters at 16 Tremont Temple

"To F.H. Lane Esq. whose Skill as a artist is so well known and appreciated, the Floral procession was indebted for much of its beauty, especially for the banners and paintings; his whole time for several days having been devoted with his usual liberality to the success of the undertaking."

Lane's obituary:

"Death of the Artist Lane.

In our last issue we stated that Mr. Fitz H. Lane, the artist, was very dangerously sick and not expected to survive. He died on Sunday, about ten o'clock, and his funeral took place on Tuesday, from his residence on Locust street, Rev. Mr. Mountford, of Boston, officiating.

Mr. Lane was one of the finest marine artists in the country, and his pictures, for accuracy in delineation and beauty of coloring, were unsurpassed. In early life he had the misfortune to lose the use of his feet, from the effects of gettin poisoned, and was thus rendered incapable of engaging in any manual labor, but this did not discourage him, and having quite a taste for drawing and painting, he employed his time in perfecting himself in these branches. Being quite ambitious he subsequently went to Boston, to learn the art of lithography, in which business he continued for some time, and the views of Gloucester which he has taken at different periods are among his best efforts in that line. Marine subjects were his special forte, and after a few years spent in the lithographing business, he opened a studio in Boston, and devoted his time entirely to painting. Having natural talent, he soon made great proficiency in the art, and became quite noted for the superiority of his pictures. He frequently visited his native town for his paintings, and finally removed here, where he erected a handsome stone cottage, with a studio in one part of the building, where he continued to furnish the public with the creations of his pencil, until his death.

Mr. Lane will be much missed in our community. He was always ready to assist in any charitable enterprise, by contributing his paintings, which have always realized good prices, and the manner of disposing of them has placed his productions within the reach of many, who otherwise would have to forego such a luxury. Fortunate are they who are possessors of his works of art, for they will prove doubly dear to them now that he who executed them is no more with us. He did not confine himself strictly to his studio, but spent much of his time, in the summer season, to the cultivation and adornment of his grounds, which are very tastefully laid out and the admiration of all who visit them. A love for the beautiful in nature and art seemed to possess his sould, and the talent entrusted to him has not been hidden. For the past two or three years he has suffered greatly from disease, and has been gradually failing, although he has kept about his work most of the time, until last fall, when he was wholly prostrated and not expected to survive; but when spring came he rallied and was enabled to resume his pencil again. About a fortnight since he was taken with a sudden ill-turn, and rapidly grew worse until death relieved him of his sufferings. He was much beloved by all who knew him, and a large circle of acquaintances will mourn his loss."

"ILLNESS OF ARTIST LANE.– We regret to learn of the dangerous illness of Mr. Fitz H. Lane, the artist, and it is feared that he will not survive. Mr. Lane was quite sick during last winter, but had so far recovered his health as to resume his pencil again, and has recently finished several paintings. Last Sabbath he was taken with a sudden ill turn and has gradually been failing until the present time, lying in an almost unconscious state. The possibilities of his recovery are very slight."

This tax record from 1820 indicates that his widowed mother was excused from paying taxes because she "supports a lame child."

"The following Gentlemen were these chosen to arrange the Floral procession, viz: Thomas Baker / F. H. Lane / Joseph B Upton / C J Adams &  / Geo. E Marchant"