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This port scene depicts a large harbor with a city of moderate size and low skyline on the far shore. The left foreground shows a topsail schooner unloading wharf pilings at a wooden pier which is under construction. At right, a small schooner-rigged boat approaches the wharf with one of its crew, boat hook in hand, ready to come alongside and make fast.
The middle ground is dominated by a brig-rigged whaling vessel—something of a rarity by the mid-nineteenth century. Whaling vessel owners found the schooner and hermaphrodite brig (“half-brig”) rigs better suited to a two-masted whaler. Their sail plans were simpler and easier to trim, particularly during the process of “cutting-in” a whale.
Just beyond the brig is a coastal “steamboat”—not a “steamship,” for reasons of size and use in coastwise transportation. Her engine is of the “cross-head” type (a predecessor to the “walking beam” engine), which drove a pair of side-paddlewheels). This vessel has been claimed to be the “Massachusetts,” a New Bedford steamboat, but there are unexplained differences between the vessel in this painting and the “Massachusetts” depicted in the Lane/Conant lithograph View of New Bedford: From the Fort near Fairhaven, 1845 (inv. 439).
The anchored topsail schooner (left middle ground) and the topsail schooner under sail (overlapped by the steamboat’s bow) offer no clues to this port’s location. The buildings in the background are decidedly urban in form and density, but excessive scouring by well-meaning “restorers” has obliterated so much detail that the skyline is unrecognizable as that of any seaport Lane was likely to visit.
The harbor seems to widen to the right, suggesting that its mouth opens to the northeast, putting the time of day at late afternoon or early evening. Salem Harbor opens this way (see chart), suggesting that the low topography in the right background might be Salem Neck. If so, the wharf in the foreground is a fabrication by Lane to lend depth and human activity to the scene, much as he and Conant may have done in his 1845 lithograph of New Bedford.
Unhappily, the identity of this port rests on speculation until and unless new technology and analytic methods reveal more detail in the underdrawing and what remains of the painted surface.
– Erik Ronnberg
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New Bedford is a coastal town in Massachusetts, and in the nineteenth century was one of the most important whaling ports in America. New Bedford Harbor (with New Bedford on one side and the town of Fairhaven on the other) is the estuary of the Acushnet River. The river empties into Buzzards Bay past Clarks Point, the southernmost point of the city. In 1856 the New-York Yacht Club Regatta took place in New Bedford, and Lane made several paintings of the event.
New Bedford and Old Dartmouth: A Portrait of a Region's Past, New Bedford: Old Dartmouth Historical Society, 1976.
October 1856–March 1857 The U.S. Nautical Magazine and Naval Journal, vol. 5 pp. 16–18
Article about the New-York Yacht Club regatta held at New Bedford on August 8, 1856, as painted by Lane. Includes lists of participating yachts and times in New Bedford.

In general, brigs were small to medium size merchant vessels, generally ranging between 80 and 120 feet in hull length. Their hull forms ranged from sharp-ended (for greater speed; see Brig "Antelope" in Boston Harbor, 1863 (inv. 43)) to “kettle-bottom” (a contemporary term for full-ended with wide hull bottom for maximum cargo capacity; see Ships in Ice off Ten Pound Island, Gloucester, 1850s (inv. 44) and Boston Harbor, c.1850 (inv. 48)). The former were widely used in the packet trade (coastwise or transoceanic); the latter were bulk-carriers designed for long passages on regular routes. (1) This rig was favored by Gloucester merchants in the Surinam Trade, which led to vessels so-rigged being referred to by recent historians as Surinam brigs (see Brig "Cadet" in Gloucester Harbor, late 1840s (inv. 13) and Gloucester Harbor at Dusk, c.1852 (inv. 563)). (2)
Brigs are two-masted square-rigged vessels which fall into three categories:
Full-rigged brigs—simply called brigs—were fully square-rigged on both masts. A sub-type—called a snow—had a trysail mast on the aft side of the lower main mast, on which the spanker, with its gaff and boom, was set. (3)
Brigantines were square-rigged on the fore mast, but set only square topsails on the main mast. This type was rarely seen in America in Lane’s time, but was still used for some naval vessels and European merchant vessels. The term is commonly misapplied to hermaphrodite brigs. (4)
Hermaphrodite brigs—more commonly called half-brigs by American seamen and merchants—were square-rigged only on the fore mast, the main mast being rigged with a spanker and a gaff-topsail. Staysails were often set between the fore and main masts, there being no gaff-rigged sail on the fore mast.
– Erik Ronnberg
References:
1. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 64–68.
2. Alfred Mansfield Brooks, Gloucester Recollected: A Familiar History (Gloucester, MA: Peter Smith, 1974), 62–74. A candid and witty view of Gloucester’s Surinam Trade, which employed brigs and barks.
3. R[ichard] H[enry] Dana, Jr., The Seaman's Friend (Boston: Thomas Groom & Co., 1841. 13th ed., 1873), 100 and Plate 4 and captions; and M.H. Parry, et al., Aak to Zumbra: A Dictionary of the World's Watercraft (Newport News, VA: The Mariners’ Museum, 2000), 95.
4. Parry, 95, see Definition 1.
Oil on canvas
17 1/4 x 25 3/4 in.
Cape Ann Museum, Gloucester, Mass., Gift of Isabel Babson Lane, 1946 (1147.a)
Photo: Cape Ann Museum
Detail of brig "Cadet."
Also filed under: "Cadet" (Brig) »
Painting on board
72 x 48 in.
Collection of Erik Ronnberg
Chart showing the voyage of the brig Cadet to Surinam and return, March 10–June 11, 1840.
Also filed under: "Cadet" (Brig) » // Surinam Trade »

Schooners in Lane’s time were, with few exceptions, two-masted vessels carrying a fore-and-aft rig having one or two jibs, a fore staysail, gaff-rigged fore- and main sails, and often fore- and main topsails. One variant was the topsail schooner, which set a square topsail on the fore topmast. The hulls of both types were basically similar, their rigs having been chosen for sailing close to the wind. This was an advantage in the coastal trade, where entering confined ports required sailing into the wind and frequent tacking. The square topsail proved useful on longer coastwise voyages, the topsail providing a steadier motion in offshore swells, reducing wear and tear on canvas from the slatting of the fore-and-aft sails. (1)
Schooners of the types portrayed by Lane varied in size from 70 to 100 feet on deck. Their weight was never determined, and the term “tonnage” was a figure derived from a formula which assigned an approximation of hull volume for purposes of imposing duties (port taxes) on cargoes and other official levies. (2)
Crews of smaller schooners numbered three or four men. Larger schooners might carry four to six if a lengthy voyage was planned. The relative simplicity of the rig made sail handling much easier than on a square-rigged vessel. Schooner captains often owned shares in their vessels, but most schooners were majority-owned by land-based firms or by individuals who had the time and business connections to manage the tasks of acquiring and distributing the goods to be carried. (3)
Many schooners were informally “classified” by the nature of their work or the cargoes they carried, the terminology coined by their owners, agents, and crews—even sometimes by casual bystanders. In Lane’s lifetime, the following terms were commonly used for the schooner types he portrayed:
Coasting schooners: This is the most general term, applied to any merchant schooner carrying cargo from one coastal port to another along the United States coast (see Bar Island and Mt. Desert Mountains from Somes Settlement, 1850 (inv. 401), right foreground). (4)
Packet schooners: Like packet sloops, these vessels carried passengers and various higher-value goods to and from specific ports on regular schedules. They were generally better-maintained and finished than schooners carrying bulk cargoes (see The Old Fort and Ten Pound Island, Gloucester, 1850s (inv. 30), center; and Gloucester Inner Harbor, 1850 (inv. 240), stern view). (5)
Lumber schooners: Built for the most common specialized trade of Lane’s time, they were fitted with bow ports for loading lumber in their holds (see View of Southwest Harbor, Maine: Entrance to Somes Sound, 1852 (inv. 260)) and carried large deck loads as well (Stage Rocks and the Western Shore of Gloucester Outer Harbor, 1857 (inv. 8), right). Lumber schooners intended for long coastal trips were often rigged with square topsails on their fore masts (see Becalmed Off Halfway Rock, 1860 (inv. 344), left; ; and Lumber Schooner in a Gale, 1863 (inv. 552)). (6)
Schooners in other specialized trades. Some coasting schooners built for carrying varied cargoes would be used for, or converted to, special trades. This was true in the stone trade where stone schooners (like stone sloops) would be adapted for carrying stone from quarries to a coastal destination. A Lane depiction of a stone schooner is yet to be found. Marsh hay was a priority cargo for gundalows operating around salt marshes, and it is likely that some coasting schooners made a specialty of transporting this necessity for horses to urban ports which relied heavily on horses for transportation needs. Lane depicted at least two examples of hay schooners (see Gloucester Harbor, 1850s (inv. 391), left; and Coasting Schooner off Boon Island, c.1850 (inv. 564)), their decks neatly piled high with bales of hay, well secured with rope and tarpaulins.
– Erik Ronnberg
References:
1. Howard I. Chapelle, The History of American Sailing Ships (New York: W.W. Norton & Co., 1935), 258. While three-masted schooners were in use in Lane’s time, none have appeared in his surviving work; and Charles S. Morgan, “New England Coasting Schooners”, The American Neptune 23, no. 1 (DATE): 5–9, from an article which deals mostly with later and larger schooner types.
2. John Lyman, “Register Tonnage and its Measurement”, The American Neptune V, nos. 3–4 (DATE). American tonnage laws in force in Lane’s lifetime are discussed in no. 3, pp. 226–27 and no. 4, p. 322.
3. Ship Registers of the District of Gloucester, Massachusetts, 1789–1875 (Salem, MA: The Essex Institute, 1944). Vessels whose shipping or fishing voyages included visits to foreign ports were required to register with the Federal Customs agent at their home port. While the vessel’s trade or work was unrecorded, their owners and master were listed, in addition to registry dimensions and place where built. Records kept by the National Archives can be consulted for information on specific voyages and ports visited.
4. Howard I. Chapelle, The National Watercraft Collection (Washington, DC: Smithsonian Institution, 1960), 40, 42–43.
5. Ibid., 42–43, 73.
6. Ibid., 74–76.
In R. H. Dana, The Seaman's Friend, 13th ed. (Thomas Groom & Co. Publisher, 1873)
A topsail schooner has no tops at her foremast, and is fore-and-aft rigged at her mainmast. She differs from an hermaphrodite brig in that she is not properly square-rigged at her foremast, having no top, and carrying a fore-and-aft foresail instead of a square foresail and a spencer.
Detail views: marine railway and hauling cradle for vessel Wood rails, metal rollers, chain; wood cradle. Scale: ½" = 1' (1:24) Original diorama components made, 1892; replacements made, 1993. Cape Ann Museum, from Gloucester Chamber of Commerce, 1925 (2014.071)
A schooner is shown hauled out on a cradle which travels over racks of rollers on a wood and metal track.
Also filed under: Burnham Brothers Marine Railway » // Marine Railways »
c. 1900 Glass plate negative Collection of Erik Ronnberg
Also filed under: Lobstering »
"The Maine Register for the Year 1855, embracing State and County Officers, and an abstract of the law and resolves; together with a complete business directory of the state, and a variety of useful information."
Details about Maine's lumber trade in 1855, see pp. 250–52
Also filed under: Castine » // Lumber Industry »

"Engine-powered vessel" is a collective term used by nautical historians to include all vessel types using engine power of any type for propulsion, whether assisted by sails, oars, or other motive power. In Lane's time, steam reciprocating engines fueled by wood or coal were the only practical source of this power for ships using paddle-wheels or screw propellers to convert heat energy into motion.
For most of the nineteenth century, steamships had sails for auxiliary power; indeed the earliest examples relied principally on sails, using engine power in calm weather to shorten the voyage time or keep to a schedule. As engines became more efficient, powerful, and reliable, sail plans were reduced, to be used only to steady a vessel's motion in a seaway (for the sake of seasick passengers), or to maintain headway if the engine broke down. Only harbor craft, ferry boats, and coastwise passenger steamers relied solely on engine power.
Among Lane's depictions of steamships, the auxiliary steam packet Auxiliary Steam Packet Ship Massachusetts, n.d. (inv. 442) is a good example of primary reliance on sails, while the steam demi-bark The "Britannia" Entering Boston Harbor, 1848 (inv. 49) and the Cunard Liner "Britannia", 1842 (inv. 259) have relegated sails to secondary (or simply emergency) motive power.
– Erik Ronnberg
Stereograph card Castine Historical Society Collections (2015.03)
Also filed under: Historic Photographs » // Steamers »
Published by James French, Boston
Volume 1848-49
Boston Public Library
Call number 39999059856813
See p. 30 of directory.
Also filed under: "Britannia" (Cunard Steamship) » // "Caledonia" (Cunard Steamship) » // Trade Routes and Statistics »
Cartoon
9 1/4 x 13 3/4 in (23.495 x 34.925 cm)
Peabody Essex Museum, Salem, Mass.
Jonny and a Yankee:
Jonny: "Ho my Hi! 'ow she goes!! it his'nt fair I ham sure t'aint!!! She must 'av an engine hunder the keel..."
Yankee: "Where are your yachts now, Jonny? s-a-y- Do you think your wash tubs can come up to a real Yankee Clipper? Sorry for you, Jonny, but it can't be helped... A Yankee Ship a Yankee Crew, you know Jonny."
Also filed under: "America" (Schooner Yacht) »
Lithograph
Library of Congress Catalog Number 2002706878
Design of side wheel steamer showing wheel mechanism, side view and cross-section in ten figures. This design proved a failure in the few vessels that employed it. The paddle wheel enclosures filled with water, causing resistance which greatly impaired efficiency and increased fuel consumption.
– Erik Ronnberg
Oil on canvas
Maine Maritime Museum
Also filed under: Castine »
Steamer schedules for 1855, including the schedule for the steamer, "T. F. Secor" which served Castine, see pp. 234–35.
Also filed under: "T. F. Secor" (Steamboat) » // Castine » // Publications » // Steamers »

Given the preeminence of fishing and the foreign trade in Gloucester, it is hardly surprising that Lane gave so little attention to the whale fishery which was barely existent in seaports north of Cape Cod. Gloucester merchants made attempts at whaling in two periods: 1788–96 and 1833–36 with one other voyage in 1853-1854 and a failed attempt in the 1840s - ten voyages in a 60-year time span. There were whaling voyages out of nearby ports—Beverly, Salem, Lynn, and Boston—all on a similar scale, barely noticeable by comparison with other mercantile activity, not to mention the thriving whaling industry in New Bedford. (1)
While Lane made a lithograph of the port of New Bedford in View of New Bedford / From the Fort Near Fairhaven, 1845 (inv. 313), it was from another artist's drawing. There is no record of his having visited that city until 1856, when he observed and sketched the New York Yacht Club's regatta for a subsequent series of paintings (see New York Yacht Club Regatta (1), 1856 (inv. 66), New York Yacht Club Regatta (2), 1856 (inv. 270), New York Yacht Club Regatta (3), After 1856 (inv. 396), New York Yacht Club Regatta (4), 1857 (inv. 397)). There is also no evidence that he remained in New Bedford for any length of time to depict whaling vessels. As with New Bedford artist William Bradford and Albert van Beest, had friction developed between Lane and Bradford, who was also busy with his own depiction of the regatta? (2)
Lane's only known depiction of a whaling vessel—a whaling schooner—is apparently set in New York Harbor, probably at the time of his first visit (on record) to that city, in 1850. The schooner's hull and rig are typical for the period, the only jarring detail being two pairs of davits on the starboard (right-hand) side for the whaleboats when there should be only one. The forward davits and whaleboat should be on the port (left-hand) side, leaving the starboard midships unobstructed for cutting-in and boarding the whale's "blanket piece" (a wide strip if skin and blubber peeled continuously in a spiral). Given the possibility that this schooner hailed from a New York-based port with its own ideas of whaling, Lane may have rendered accurately a very atypical davit configuration. The whaleboats—including the one approaching the schooner—are accurately depicted. (3)
– Erik Ronnberg
References:
1. Alexander Starbuck, "History of the American Whale Fishery from Its Earliest Inception to the Year 1875", in Report of the Commissioner for 1875-76 (Washington: U.S. Commission of Fish and Fisheries, 1878), in tables showing returns of whaling vessels for ports and years cited.
2. Richard C. Kugler, "William Bradford", in Richard C Kugler (editor), William Bradford: Sailing Ships & Arctic Seas (New Bedford, Seattle, and London: New Bedford Whaling Museum and the University of Washington Press, 2003), 8–9.
3. G. Brown Goode, The Fish and Fisheries of the United States, Section V, Plates (Washington: Government Printing Office, 1887), see plates 185, 186, 188, 190.
Oil on canvas
24 x 26 1/4 in.
Cape Ann Museum, Gloucester, Mass., Estate of Catalina Davis, 1932 (642.13b)
This is the only known depiction of a whaling schooner (detail) in Lane's work, believed to be in New York Harbor.
Also filed under: Schooner (Whaling) »
Labels: Alexander Galleries, NYC