An online project under the direction of the CAPE ANN MUSEUM


Island picnics on still summer evenings along the Maine coast are a tradition that continues to this day. The long twilights of summer make for a leisurely transition from a warm afternoon to an evening chill and a driftwood fire. Lane undoubtedly participated in many during his summer cruises in Maine with his friend Joseph Stevens, Jr. as they visited along the coast.
This painting depicts the gathering of an evening picnic as the sun goes down behind the island or arm of the cove and the water stills to the glassy calm so common to a Maine evening. The New England boat with a rower is approaching to make a landing while the two very well-dressed couples onshore motion to greet them and open their baskets and make a fire.
We know of two other Lane paintings of excursions like this, a day and a night scene of a popular picnic spot between Ram Island and Indian Bar near Castine, Maine: Fishing Party, 1850 (inv. 50) and View of Indian Bar Cove, Brooksville, Maine, 1850 (inv. 61). We don’t have a firm location for the site of this painting; it was given the title Christmas Cove, Maine by an art dealer years ago but according to residents doesn’t correspond to any known location in that region. Lane and Stevens spent a lot of time cruising in the Penobscot Bay, well north of Christmas Cove, which has numerous islands and coves that might match this scene, or it could be an invention, though that was rare for Lane. If there is some invention in the scene, Lane has made it correspond to one of his favored compositional devices, leading the viewer's eye from the lower left diagonally out to open water, then left to the glow of the sun illuminating the sky and distant water.
The provenance of the painting is still being researched, but one can imagine it being a commission or a gift to the people onshore to commemorate a lovely summer evening. The surprisingly formal dress of the picnickers is unusual, and they are highlighted in such a way that seems more specific than a typical genre painting would be.
– Sam Holdsworth
Historical Materials

Christmas Cove, Maine, is a village at Rutherford Island, now part of the town of South Bristol, Maine. It is said to have been named by Captain John Smith when he visited in on Christmas Day, 1614 during his exploration of the Maine coast.

The colonial American shallop is the ancestor of many regional types of New England fishing craft found in Lane's paintings and drawings, including "New England Boats" (known as "boats"), and later descendents, such as "Chebacco Boats," "Dogbodies," and "Pinkies." (discussed elsewhere)
These boats were very common work boat types on Cape Ann throughout the 1800s. They were primarily used for inshore coastal fishing, which included lobstering, gill-netting, fish-trapping, hand-lining, and the like. They were usually sailed by one or two men, sometimes with a boy, and could be rowed as well as sailed. An ordinary catch would include rock cod, flounder, fluke, dabs, or other small flat fish. The catch would be eaten fresh, or salted and stored for later consumption, or used as bait fish. Gill-netting would catch herring and alewives when spawning. Wooden lobster traps were marked with buoys much as they are today, and hauled over the low sides of the boat, emptied of lobsters and any by-catch, re-baited and thrown back.
THE SHALLOP
Like other colonial vessel types, shallops were defined in many ways, including size, construction, and rig. Most commonly, they were open boats with square or sharp sterns, 20 to 30 feet in length, two-masted rigs, and heavy sawnframe construction which in time became lighter. (1)
The smaller shallops developed into a type called the Hampton Boat early in the nineteenth century, becoming the earliest named regional variant of what is now collectively termed the New England Boat. Other variants were named for their regions of origin: Isles of Shoals Boat, Casco Bay Boat, No Mans Land Boat, to name a few. No regional name for a Cape Ann version has survived, and "boat," or "two-masted boat" seems to have sufficed. (2)
Gloucester's New England Boats were mostly double-enders (sharp sterns) ranging in length from 25 to 30 feet, with two masts and two sails (no bowsprit or jib). They were used in the shore fisheries: handlining, gillnetting, and gathering or trapping shellfish (see View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), View of Gloucester Harbor, 1848 (inv. 97), and /entry: 240/). (3)
Larger, double-ended shallops became decked and evolved in Ipswich (the part now called Essex) to become Chebacco Boats. (4) This variant retained the two-mast, two-sail rig, but evolved further, acquiring a bowsprit and jib and becoming known as a pinky (see Gloucester Harbor from Rocky Neck, 1844 (inv. 14), The Western Shore with Norman's Woe, 1862 (inv. 18), and The Old Fort and Ten Pound Island, Gloucester, 1850s (inv. 30)). The Chebacco Boat became a distinct type by the mid-eighteenth century giving rise to the pinky in the early ninetennth century; the latter, by the early 1900s. (5)
References:
1. William A. Baker, Sloops & Shallops (Barre, MA: Barre Publishing Co., 1966), 27–33; and “Vessel Types of Colonial Massachusetts,” in Seafaring in Colonial Massachusetts (Boston: The Colonial Society of Massachusetts, 1980), 13–15, see figs. 10, 11.
2. Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 136–45.
3. Ibid., 145, upper photo, fourth page of plates.
4. Baker, 82–91.
5. Chapelle, The American Fishing Schooners, 1825–1935 (New York: W.W. Norton & Co., 1973), 23–54.
THE NEW ENGLAND BOAT
By the 1840s, the Gloucester version of the New England Boat had evolved into a distinct regional type. Referred to locally as “boats,” the most common version was a double-ender, i.e. having a pointed stern, unlike the less common version having a square stern.
Both variants had two masts, a foresail, a mainsail, but no bowsprit or jib. Lane depicted both in several paintings, beginning in the mid-1840s (see View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), View of Gloucester Harbor, 1848 (inv. 97), and /entry: 240/), all ranging 25 to 30 feet in length. In View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), a double-ender can be seen on the beach while a square-stern version lies at anchor in the harbor, just to the right of the former. (1)
Lane’s depictions of the double-enders show lapstrake hull planking in View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), and cuddies (short decking) inboard at the ends for shelter and stowage of fishing gear in View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94). The few square-stern examples (see View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240)) suggest carvel (smooth) planking and paint finish, rather than oil and tar. The presence of an example of the latter variant in Boston Harbor, as noted in Boston Harbor, c.1850 (inv. 48), suggests a broader geographical range for this subtype. (2)
The primary use of Cape Ann’s “boats” was fishing, making “day trips” to coastal grounds for cod, herring, mackerel, hake, flounder, and lobster, depending on the season. Fishing gear included hooks and lines, gill nets, and various traps made of wood and fish net.
Some boats worked out of Gloucester Harbor, but other communities on Cape Ann had larger fleets, such as Sandy Bay, Pigeon Cove, Folly Cove, Lanesville, Bay View, and Annisquam. Lane’s depictions of these places and their boats are rare to nonexistent. (3)
The double-ended boat served Lane in marking the passage of time in Gloucester Harbor. In View from Kettle Cove, Manchester-by-the-Sea, 1847 (inv. 94), we see new boats setting out to fish, but in View of Gloucester Harbor, 1848 (inv. 97) and Gloucester Inner Harbor, 1850 (inv. 240), a boat of the same type is depicted in a progressively worn state. In Stage Fort across Gloucester Harbor, 1862 (inv. 237), the boat is a stove hulk on a beach, and in the same year, Lane depicted the type’s shattered bottom frame and planking lying on the shore at Norman’s Woe in Norman's Woe, Gloucester Harbor, 1862 (inv. 1).
Regional variants of the New England Boat appear in Lane’s paintings of Maine harbors, including one and two-masted versions, collectively called Hampton Boats (see Bear Island, Northeast Harbor, 1855 (inv. 24), Ten Pound Island at Sunset, 1851 (inv. 25), Fishing Party, 1850 (inv. 50), Father's (Steven's) Old Boat, 1851 (inv. 190), and "General Gates" at Anchor off Our Encampment at Bar Island in Somes Sound, Mount Desert, Maine, 1850 (inv. 192)). Some distinctive regional types were given names, i.e. Casco Bay Boats ("General Gates" at Anchor off Our Encampment at Bar Island in Somes Sound, Mount Desert, Maine, 1850 (inv. 192) may be one), but many local type names, if they were coined, have been lost. (4)
References:
1. Howard I. Chapelle, American Small Sailing Craft (New York: W.W. Norton & Co., 1951), 141–42.
2. Ibid., 152–55.
3. Sylvanus Smith, Fisheries of Cape Ann (Gloucester, MA: Press of the Gloucester Times, 1915), 96–97, 102–05, 110–13.
4. Chapelle, 152–55.
Also filed under: Ship Models »
Also filed under: Ship Models »

The construction of the Gloucester branch of the Eastern Railroad from Salem in 1848 transformed Cape Ann from a sleepy rural area to a bustling metropolis, with summer visitors from Boston and New York arriving daily. The development of the tourist industry was part of a more general growth of tourism up and down the east coast of the United States. Seacoast and mountain areas were served first by stage coaches and then by railroads bringing urban visitors during the summers. Cape Ann was also a day trip for summer residents of places like Beverly and Manchester.
The railroad journey from Boston was not a difficult one. An advertisement listed in the Boston Directory of 1848 reported that there were eleven trains a day for Portsmouth and Salem. It also noted the: "Advantages of a Residence on this Route. No Railroad affords access to so many, so varied, and so splendid sea-side locations, or passes through so many pleasant cities, towns, and vlllages. Its Depots are within a mile or two of the celebrated beaches of Chelsea, Nahant, Swampscot, and Marblehead. A Branch [railroad] skirts the shores of Massachusetts Bay, in the towns of Beverly, Manchester, and Gloucester, opening most magnificent views of the ocean, leading to most retired spots for sea-bathing, and to the most delightful walks and drives in the native forests, that can be found in New England. This shore is rapidly filling up with marine villas and cottages."
By the 1850s Gloucester had three full-size hotels, the Pavilion, the Union House, and the Gloucester House, as well as a number of summer residents, such as Charles Hovey.
Newspaper
"Among the many visitors of the Cape at this delightful season is Champney, the artist, who has been sketching among our quiet coves and breezy headlands."
Also filed under: Champney, Benjamin » // Newspaper / Journal Articles »