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Photo: Courtesy, American Antiquarian Society (inv. 385)
inv. 469
The Ariel Waltz
Lithograph on paper
10 1/2 x 7 1/2 in. (26.7 x 19.1 cm) Printed Area measurement.
Boston, Oakes & Swan 8 1/2 Tremont Row
Commentary

Lane designed this print, or made changes to it, as seen by his signature in the stone in the lower left of some impressions. It is sheet music produced by W.H. Oakes. The printer is not identified; however, according to the impression from the Lester Levy collection of Johns Hopkins University, the printing of some states of the illustration is attributed to E.W. Bouvé.

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Historical Materials

Below is historical information related to the Lane work above. To see complete information on a subject on the Historical Materials page, click on the subject name (in bold and underlined).
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illustration
The Ariel Waltz
B. Champney, del.
Lester S. Levy Collection of Sheet Music, Sheridan Libraries, Johns Hopkins University
Image: Johns Hopkins University
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E. W. Bouvé (1817–97) was a Boston-born lithographer and engraver active from 1839 until his death. He opened his first shop at 1 Graphic Court, Boston (misspelled "Gaphic" on at least one print) and then moved on to a partnership with William Sharp at 221 Washington Street. After his short stint with Sharp, he remained in the Washington Street building until 1848 as a solo artist. He served a short term on the City of Roxbury Common Council from 1849-51 before establishing a card engraving business and continued in that profession until his death. Bouvé is known to have produced sheet music covers, book illustrations, portraits, buildings, town views, certificates, charts, and plans.

This information has been summarized from Boston Lithography 1825–1880 by Sally Pierce and Catharina Slautterback.

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Oakes & Swan were sheet music engravers and publishers, with a shop located on Tremont Row in Boston, Massachusetts. This was only a brief partnership (c.1840) of William H. Oakes and Samuel Swan. Oakes, however, went on to publish sheet music under his own name from 1840 to 1851.

– Catharina Slautterback

publication
1841 Boston Weekly Magazine 2.13.1841
2.13.1841
Newspaper
Boston Weekly Magazine Devoted to Moral and Entertaining Literature, Science, and the Fine Arts
"Deception"
v.iii, n.22
p. 175

"Now Boston people do surpass other cities in the execution of almost every species of artizanship [sic] connected with the press; and to none should a higher palm be awarded than to Wm. H. OAKES, music engraver and publisher, Tremont Row, for the beautiful style of his issues. His vignette titles are far superior to anything across the water, and are better specimens of art than half the engravings for sale at the print shops. Who has not seen and admired his "Old Arm Chair," with the music by Russell? and it is of this we would speak; for we have been shown another Old Arm Chair . . . which is an exact copy of Mr. Oakes's . . ."

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One of the first uses of lithography, after its invention in France in the late eighteenth century and its development in America, was for sheet music covers. The music itself was printed from engraved copper plates, which was necessary for the clarity and evenness demanded by the public for the music. However, lithography provided a quick and inexpensive way to provide enticing pictorial title pages, or covers, for sheet music. Pendleton's shop produced the first lithographic sheet music cover printed in the United States in 1826. Much of Lane's work at Pendleton's involved sheet music covers, and examples here by other artists show some of the conventions around the designs.

This information has been summarized from Boston Lithography 1825–1880 by Sally Pierce and Catharina Slautterback.

illustration
Aladdin or the Wonderful Lamp
American Antiquarian Society, Worcester, Mass.
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publication
Arouse ye gay comrades
Bufford (in image); Thayer (lith.)
1840
Parker & Ditson
Courtesy American Antiquarian Society, Worcester, Mass.

Dedicated to the Tiger Boat Club.

Image: American Antiquarian Society
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illustration
Brightly, Boys, Brightly: A Rowing Quartet
Boston Public Library, Music Collection, 8050.44#12

Comp. Marshall S. Pike, Esq.

Image: Boston Public Library
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publication
Clipper Polka
Aborsong, publisher
1851-1856
Paper, ink
13 x 10 in (33.02 x 25.4 cm)
Peabody Essex Museum (M26784)

"composed and inscribed to Colonel Baquiere, Owner of the "America" Schooner, 1851-1856"

Image: Peabody Essex Museum
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publication
Mammoth Cod Quickstep
Unknown
1839
T. Moore's Lithography, Boston
12 1/2 x 9 1/2 in.
20 x 16 3/4 in (Framed)
Cape Ann Museum, Museum Purchase (2014.089.2)
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illustration
North-End Forever – Hull Street Guards
John Holloway
1838
Boston Public Library, Sheet Music Collection, S.80#12
Image: Boston Public Library
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artwork
Soft Glides the Sea, Bounding and Free
Pendleton's Lithography
1831
Lithographic sheet music
11 x 7 1/4 in.
Boston Athenaeum
Image: Boston Athenaeum
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illustration
The America Schottisch
Wm. Hall & Son, publisher
Late 19th century
Ink, paper
13 x 10 in (33.02 x 25.4 cm)
Peabody Essex Museum
Image: Peabody Essex Museum
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illustration
The Clipper America Polka, sheet music cover
J.O. Sheppard, publisher
late 19th century
Ink on paper
13 x 10 inches
Peabody Essex Museum, Salem, Mass. (M26750)
Image: Peabody Essex Museum
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Provenance (Information known to date; research ongoing.)
See IMPRESSIONS tab for individual provenance.
Exhibition History
2017–18 Cape Ann Museum
Cape Ann Museum, Gloucester, Massachusetts, Drawn From Nature & on Stone: The Lithographs of Fitz Henry Lane, October 7, 2017–March 4, 2018. (Exhibition catalogue: Cape Ann Museum 2017) (Impression: American Antiquarian Society (inv. 385)).
Published References
Cape Ann Museum 2017
Barnhill, Trafton. Drawn from Nature & on Stone: the Lithographs of Fitz Henry Lane. Gloucester, MA: Cape Ann Museum, 2017. Exhibition catalogue (2017–18 Cape Ann Museum), fig. 44, text, p. 22, as The Ariel Waltz (Impression: American Antiquarian Society (inv. 385)).
Impression Information

American Antiquarian Society (inv. 385)

The Ariel Waltz, n.d. (inv. 385)
Photo: Courtesy, American Antiquarian Society (inv. 385)

Boston Athenaeum (inv. 775)

no image available

Johns Hopkins University (inv. 757)

The Ariel Waltz, n.d. (inv. 757)
Photo: © Johns Hopkins University (inv. 757)
Record last updated May 7, 2024. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: "The Ariel Waltz, n.d. (inv. 469)." In Fitz Henry Lane Online. Gloucester, MA: Cape Ann Museum. www.fitzhenrylaneonline.org/catalogue/entry.php?id=469 (accessed on August 24, 2025).